Bernadette Andrea's groundbreaking study recovers and reinterprets the lives of women from the Islamic world who travelled, with varying degrees of volition, as slaves, captives, or trailing wives to Scotland and England during the sixteenth and seventeenth centuries
Bernadette Andrea's groundbreaking study recovers and reinterprets the lives of women from the Islamic world who travelled, with varying degrees of volition, as slaves, captives, or trailing wives to Scotland and England during the sixteenth and seventeenth centuriesHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bernadette Andrea is a Professor in the Department of English at the University of California, Santa Barbara.
Inhaltsangabe
INTRODUCTION CHAPTER ONE: The "Presences of Women" from the Islamic World in British Literature and Culture, c. 1500-1630 CHAPTER TWO: The Islamic World and the Construction of Early Modern Englishwomen’s Authorship: Queen Elizabeth I, the Tartar Girl, and the Tartar-Indian Woman CHAPTER THREE: The Islamic World and the Construction of Early Modern Englishwomen’s Authorship: Lady Mary Wroth, the Tartar-Persian Princess, and the Tartar King CHAPTER FOUR: Signifying Gender and Islam in Early Shakespeare: The Comedy of Errors (1594) and the Gray’s Inn Revels (1594-95) CHAPTER FIVE: Signifying Gender and Islam in Late Shakespeare: Henry VIII or All is True (1613) and British "Masques of Blackness" (c. 1507-1605) CHAPTER SIX: The Intersecting Paths of Two Women from the Islamic World: Teresa Sampsonia, Mariam Khanim, and the East India Company BIBLIOGRAPHY
INTRODUCTION CHAPTER ONE: The "Presences of Women" from the Islamic World in British Literature and Culture, c. 1500-1630 CHAPTER TWO: The Islamic World and the Construction of Early Modern Englishwomen’s Authorship: Queen Elizabeth I, the Tartar Girl, and the Tartar-Indian Woman CHAPTER THREE: The Islamic World and the Construction of Early Modern Englishwomen’s Authorship: Lady Mary Wroth, the Tartar-Persian Princess, and the Tartar King CHAPTER FOUR: Signifying Gender and Islam in Early Shakespeare: The Comedy of Errors (1594) and the Gray’s Inn Revels (1594-95) CHAPTER FIVE: Signifying Gender and Islam in Late Shakespeare: Henry VIII or All is True (1613) and British "Masques of Blackness" (c. 1507-1605) CHAPTER SIX: The Intersecting Paths of Two Women from the Islamic World: Teresa Sampsonia, Mariam Khanim, and the East India Company BIBLIOGRAPHY
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