Explores the development and diffusion of the vita image which emerged in Byzantium in the twelfth century and spread to Italy and beyond.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paroma Chatterjee is Assistant Professor of the History of Art at the University of Michigan, Ann Arbor. Her research has been supported by a Dumbarton Oaks Junior Fellowship, a Samuel H. Kress Travel Fellowship, a Mellon dissertation writing fellowship, a Penn Humanities Forum postdoctoral fellowship, and a post-doctoral fellowship at the Italian Academy for Advanced Studies in America. Her work has appeared in, or is forthcoming from, the Journal of Medieval and Early Modern Studies, Art History, Word and Image, Dumbarton Oaks Papers, the Oxford Art Journal and RES: The Journal of Anthropology and Aesthetics.
Inhaltsangabe
Introduction: the metaphor of the 'living icon' 1. The saint in the text 2. The saint in the image 3. 'Wrought by the finger of God' 4. Depicting Francis' secret Epilogue: Francis in Constantinople.
Introduction: the metaphor of the 'living icon' 1. The saint in the text 2. The saint in the image 3. 'Wrought by the finger of God' 4. Depicting Francis' secret Epilogue: Francis in Constantinople.
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