The Location of Experience argues that, through manipulating the psychological dimensions of fictionâ s formal features, Victorian women novelists produced a philosophical account of experience that rivaled and complemented that of the male philosophers of the period.
The Location of Experience argues that, through manipulating the psychological dimensions of fictionâ s formal features, Victorian women novelists produced a philosophical account of experience that rivaled and complemented that of the male philosophers of the period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Adela Pinch is Professor of English at the University of Michigan. She is the author of Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen (1996), and Thinking about Other People in Nineteenth-Century British Writing (2010).
Inhaltsangabe
Introduction 1 Experience on the Move: Transitioning, Transferring, Containing, 3 Narrative Relations, Novel Worlds, 7 The Organization of This Book, 10 Women Writers, Women Readers, Feminist Theory, 12 Acknowledgments, 15 1 Transfers of Experience: Brontës, Gaskell, Meynell, Sinclair 18 Introduction, 18 Experience in Victorian Philosophy, 22 The Brontës and Experience, 29 May Sinclair, 33 A Distributed-Brontë Theory of Experience, 37 Images of Haworth, 40 Coda: Little Brontës, 50 2 The Story of O: Margaret Oliphant and Anti-metalepsis 56 Introduction, 56 The Story of O, 60 "No One to Interfere," 63 "Let Me In!," 68 The Story of "Oh!," 75 The O of Experience and the World Stack, 81 3 George Eliot and Prolepsis: Prediction, Prevention, Protection 85 Introduction: Rethinking Prolepsis, 85 Beginnings and Endings, 93 The Future in "The Lifted Veil," 95 Predicting the End in The Mill on the Floss, 98 Will, Determinism, Necessity, and Narration, 103 Development, Education, and the Futures of The Mill on the Floss, 108 Coda: Silas Marner, 111 4 Regret, Remorse, and Realism in Elizabeth Gaskell 117 Introduction, 117 Half-Mended Stockings, 123 Lines and Angles, 126 What Never Happened, 133 Remorse, Narration, Description, 136 Coda 144 Notes 151 Bibliography 189 Index 209
Introduction 1 Experience on the Move: Transitioning, Transferring, Containing, 3 Narrative Relations, Novel Worlds, 7 The Organization of This Book, 10 Women Writers, Women Readers, Feminist Theory, 12 Acknowledgments, 15 1 Transfers of Experience: Brontës, Gaskell, Meynell, Sinclair 18 Introduction, 18 Experience in Victorian Philosophy, 22 The Brontës and Experience, 29 May Sinclair, 33 A Distributed-Brontë Theory of Experience, 37 Images of Haworth, 40 Coda: Little Brontës, 50 2 The Story of O: Margaret Oliphant and Anti-metalepsis 56 Introduction, 56 The Story of O, 60 "No One to Interfere," 63 "Let Me In!," 68 The Story of "Oh!," 75 The O of Experience and the World Stack, 81 3 George Eliot and Prolepsis: Prediction, Prevention, Protection 85 Introduction: Rethinking Prolepsis, 85 Beginnings and Endings, 93 The Future in "The Lifted Veil," 95 Predicting the End in The Mill on the Floss, 98 Will, Determinism, Necessity, and Narration, 103 Development, Education, and the Futures of The Mill on the Floss, 108 Coda: Silas Marner, 111 4 Regret, Remorse, and Realism in Elizabeth Gaskell 117 Introduction, 117 Half-Mended Stockings, 123 Lines and Angles, 126 What Never Happened, 133 Remorse, Narration, Description, 136 Coda 144 Notes 151 Bibliography 189 Index 209
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