The Long Knives - Welsh, Irvine
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Justice can be a blunt instrument
"Men like him usually tell the story. In business. Politics. Media. But not this time: I repeat, he is not writing this story."
Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse.
Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this.
After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty - those without a voice, without a…mehr

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Produktbeschreibung
Justice can be a blunt instrument

"Men like him usually tell the story.
In business.
Politics.
Media.
But not this time: I repeat, he is not writing this story."

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse.

Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this.

After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty - those without a voice, without a choice, without a chance.

As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside. But one question refuses to go away...

Who are the real victims here?
Autorenporträt
Irvine Welsh was born and raised in Edinburgh. His first novel, Trainspotting, has sold over one million copies in the UK and was adapted into an era-defining film. He has written thirteen further novels, including the number one bestseller Dead Men's Trousers, four books of shorter fiction and numerous plays and screenplays. Crime and The Long Knives have been adapted into a television series starring Dougray Scott as Ray Lennox. Irvine Welsh currently lives between London, Edinburgh and Miami.
Rezensionen
An ingeniously plotted and propulsive thriller... bristling with risky satire and moral disgust. Literary Review