The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalismâ s combined but uneven development as these appear from the global â peripheryâ .
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalismâ s combined but uneven development as these appear from the global â peripheryâ .
Luiz Renato Martins teaches art history at the Visual Arts Department of the University of São Paulo, working also as a researcher associated to the Economical History postgraduate programme at USP. As a visitor, he lectured in Mexico, Chile, Argentina, Spain, France, UK and USA universities, and has published books and articles on modern art, film and the contemporary global crisis’s issues. Dr Juan Grigera is a British Academy Postdoctoral Fellow based at University College London Institute of Americas. His research focuses on the political economy of Latin America, particularly Brazil and Argentina and has been a visiting lecturer in Argentina, Brazil, Belgium and USA.
Inhaltsangabe
Acknowledgements Credits Introduction Alex Potts From Formation to Dismantling 1 Strategies of Occupying Space in Brazil, from Tarsila to Oiticica 2 ‘Free Form’: Brazilian Mode of Abstraction or a Malaise in History 3 All This Geometry, Where Does It Come from, Where Does It Go? 4 Trees of Brazil 5 The Situation of Art and the ‘Pensée Unique’ 6 Formation and Dismantling of a Brazilian Visual System From Dismantling to Struggle 7 From the Debate about Formation to Strike as Formation 8 The Indignity of São Paulo 9 Art against the Grain Against Formalism: Art, History and Criticism 10 Work, Art and History: A Counterpoint between Periphery and Centre 11 Notes on Modernisation, from the Periphery: On David Craven’s ‘Alternative Modernism’ 12 Art as Work (Interview) 13 International Benefit Society of Friends of Form and Bulletin on the Brazilian Division Index of Artworks Cited Bibliography Index
Acknowledgements Credits Introduction Alex Potts From Formation to Dismantling 1 Strategies of Occupying Space in Brazil, from Tarsila to Oiticica 2 ‘Free Form’: Brazilian Mode of Abstraction or a Malaise in History 3 All This Geometry, Where Does It Come from, Where Does It Go? 4 Trees of Brazil 5 The Situation of Art and the ‘Pensée Unique’ 6 Formation and Dismantling of a Brazilian Visual System From Dismantling to Struggle 7 From the Debate about Formation to Strike as Formation 8 The Indignity of São Paulo 9 Art against the Grain Against Formalism: Art, History and Criticism 10 Work, Art and History: A Counterpoint between Periphery and Centre 11 Notes on Modernisation, from the Periphery: On David Craven’s ‘Alternative Modernism’ 12 Art as Work (Interview) 13 International Benefit Society of Friends of Form and Bulletin on the Brazilian Division Index of Artworks Cited Bibliography Index
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