This book of essays brings together his latest ideas on filming, documentary, anthropology and the art of cinema, based on his practice as an award-winning maker of ethnographic films. -- .
This book of essays brings together his latest ideas on filming, documentary, anthropology and the art of cinema, based on his practice as an award-winning maker of ethnographic films. -- .
David MacDougall is an Honorary Professor in the Research School of Humanities and the Arts at the Australian National University, Canberra
Inhaltsangabe
Introduction Part I: Filmmaking as practice 1 Looking with a camera 2 Dislocation as method 3 Camera, mind, and eye 4 Environments of childhood Part II: Film and the senses 5 The third tendency in cinema 6 Sensational cinema 7 The experience of colour 8 Notes on cinematic space Part III: Film, anthropology and the documentary tradition 9 Observation in the cinema 10 Anthropology and the cinematic imagination 11 Anthropological filmmaking: an empirical art 12 Documentary and its doubles Bibliography Filmography Index
Introduction Part I: Filmmaking as practice 1 Looking with a camera 2 Dislocation as method 3 Camera, mind, and eye 4 Environments of childhood Part II: Film and the senses 5 The third tendency in cinema 6 Sensational cinema 7 The experience of colour 8 Notes on cinematic space Part III: Film, anthropology and the documentary tradition 9 Observation in the cinema 10 Anthropology and the cinematic imagination 11 Anthropological filmmaking: an empirical art 12 Documentary and its doubles Bibliography Filmography Index
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