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"This book offers the first sustained consideration of the theoretical challenges raised by camera movements. It is a work of great erudition and philosophical ambition, taking film seriously as an art form."--Patrick Keating, Professor of Communication, Trinity University "Rigorously theorized and persuasively argued, The Lure of the Image provides a detailed and illuminating analysis of a key aspect of the cinema that has been glossed over in film studies for decades. This is outstanding work, and scholars will have to contend with Morgan's conclusions for a long time."--Kristen Whissel, Professor of Film and Media, University of California, Berkeley…mehr

Produktbeschreibung
"This book offers the first sustained consideration of the theoretical challenges raised by camera movements. It is a work of great erudition and philosophical ambition, taking film seriously as an art form."--Patrick Keating, Professor of Communication, Trinity University "Rigorously theorized and persuasively argued, The Lure of the Image provides a detailed and illuminating analysis of a key aspect of the cinema that has been glossed over in film studies for decades. This is outstanding work, and scholars will have to contend with Morgan's conclusions for a long time."--Kristen Whissel, Professor of Film and Media, University of California, Berkeley
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Autorenporträt
Daniel Morgan is Professor of Cinema and Media Studies at the University of Chicago and author of Late Godard and the Possibilities of Cinema.