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The "madder stain" imprinted on Tess d'Urberville's arm is part of a motif which runs through Hardy's fiction. This book attempts to approach that unknowable kernel of jouissance by using Lacan's concepts of object-gaze and object-voice--sometimes revisited by Zizek.

Produktbeschreibung
The "madder stain" imprinted on Tess d'Urberville's arm is part of a motif which runs through Hardy's fiction. This book attempts to approach that unknowable kernel of jouissance by using Lacan's concepts of object-gaze and object-voice--sometimes revisited by Zizek.
Autorenporträt
Annie Ramel taught Victorian and contemporary literature at University Lumière-Lyon 2. She is president of FATHOM (French Association for Thomas Hardy Studies). The author of numerous articles on Thomas Hardy, she has also published a book on Great Expectations (Great Expectations: Le Père ou le pire), as well as articles on Charles Dickens, Henry James, George Eliot, and Oscar Wilde.