Pickering-Iazzi uses an array of cultural documents from 1990 to the present to examine the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens.
Pickering-Iazzi uses an array of cultural documents from 1990 to the present to examine the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robin Pickering-Iazzi is a professor in the Department of French, Italian, and Comparative Literature at the University of Wisconsin-Milwaukee. Her previous works include The Mafia in Italian Lives and Literature and Mafia and Outlaw Stories, both published by University of Toronto Press.
Inhaltsangabe
Introduction: Mafia Cityworlds: Geographies of Narration 1. The Female Mafia Imaginary: Contemporary Mafiose and Gabriella Badalamenti’s Come l’oleandro 2. The Mafia and the (Non)sense of Place: Amelia Crisantino’s Cercando Palermo 3. Maria Rosa Cutrufelli’s Postmodern Geography of impegno: Mafia Urban Desertification in Canto al deserto 4. Mafia Geographies of Voicelessness: Silvana La Spina’s L’ultimo treno da Catania 5. Engendering Testimonial Geographies of Legality: Bodily Interiors, Urban Faces, Cyberspatialities
Introduction: Mafia Cityworlds: Geographies of Narration 1. The Female Mafia Imaginary: Contemporary Mafiose and Gabriella Badalamenti’s Come l’oleandro 2. The Mafia and the (Non)sense of Place: Amelia Crisantino’s Cercando Palermo 3. Maria Rosa Cutrufelli’s Postmodern Geography of impegno: Mafia Urban Desertification in Canto al deserto 4. Mafia Geographies of Voicelessness: Silvana La Spina’s L’ultimo treno da Catania 5. Engendering Testimonial Geographies of Legality: Bodily Interiors, Urban Faces, Cyberspatialities
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