The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and…mehr
The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Judah M. Cohen is the Lou and Sybil Mervis Professor of Jewish Culture and Assistant Professor of Folklore and Ethnomusicology at Indiana University Bloomington. He is author of Through the Sands of Time: A History of the Jewish Community of St. Thomas, U.S. Virgin Islands.
Inhaltsangabe
Acknowledgments and Attributions Note on Transliteration Introduction: A Moment of Transformation 1. To Fashion a Cantor 2. Seeking the Tradition 3. Constructing a Tradition 4. Through the Prism of the Practicum 5. A Prism of Cantorial Sound 6. A Prism of Cantorial Identity Conclusion: Cantors in Israel and the Structure of Musical Authority Appendix A: Ashkenazic and Sephardic Pronunciation Table Appendix B: URJ Transliteration Guidelines and Master Word List Bibliography Index List of Selections on Compact Disc
Acknowledgments and Attributions Note on Transliteration Introduction: A Moment of Transformation 1. To Fashion a Cantor 2. Seeking the Tradition 3. Constructing a Tradition 4. Through the Prism of the Practicum 5. A Prism of Cantorial Sound 6. A Prism of Cantorial Identity Conclusion: Cantors in Israel and the Structure of Musical Authority Appendix A: Ashkenazic and Sephardic Pronunciation Table Appendix B: URJ Transliteration Guidelines and Master Word List Bibliography Index List of Selections on Compact Disc
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