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The Making of Americans is not really a novel, as Gertrude Stein's narrator says-"not just an ordinary kind of novel with a plot and conversations to amuse you"-but an attempt at a thorough and exacting distillation of the essential properties of peoples' behavior. Through sentences that seem to repeat themselves, we are presented, on the surface, with a portrait of the "simple middle class monotonous tradition" as enacted by generations of the Dehning and Hersland families and their acquaintances. Underneath this is a slow, sieved attempt at something like total knowledge, an excavation of an…mehr

Produktbeschreibung
The Making of Americans is not really a novel, as Gertrude Stein's narrator says-"not just an ordinary kind of novel with a plot and conversations to amuse you"-but an attempt at a thorough and exacting distillation of the essential properties of peoples' behavior. Through sentences that seem to repeat themselves, we are presented, on the surface, with a portrait of the "simple middle class monotonous tradition" as enacted by generations of the Dehning and Hersland families and their acquaintances. Underneath this is a slow, sieved attempt at something like total knowledge, an excavation of an overwhelming impulse "to understand the complete being in each one and all the details of their coming to have in them their kind of feeling...anything in them that gives to them inside them the feeling of being distinguished to themselves inside them."
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Autorenporträt
Gertrude Stein was born in Allegheny, Pittsburgh USA in 1874, 150 years ago this year. In 1902, she left America for Paris with her brother Leo. Their home at 27 Rue de Fleurus, near the Luxembourg Gardens, became an important centre of the modernist movement. In 1907 Stein met her wife Alice B. Toklas and their life as lovers, supporters, collectors, adventurers and publishers would endure until Stein's death in 1946. Gertrude and Alice befriended and supported the young Picasso, acquiring many of his paintings and the work of his contemporaries, Matisse and Gaugin. By the time they had finished, they had created one of the most important collections of modern French painting in the world. Most importantly of all, Gertrude Stein reimagined what writing could be and how language itself might be used, inspiring generations of writers including Ernest Hemingway and Sherwood Anderson. Gertrude Stein was a masculine, openly lesbian woman who lived her life on her own terms; good-natured, idiosyncratic, brilliant. Her last words were: 'What is the answer?' When she received no reply from Alice, she simply laughed and said, 'Then what is the question?'