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The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since.
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The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 216mm x 169mm x 20mm
- Gewicht: 548g
- ISBN-13: 9781474295192
- ISBN-10: 1474295193
- Artikelnr.: 48601819
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 216mm x 169mm x 20mm
- Gewicht: 548g
- ISBN-13: 9781474295192
- ISBN-10: 1474295193
- Artikelnr.: 48601819
Thierry Gervais is Assistant Professor at Ryerson University and Head of Research at the Ryerson Image Centre (RIC), Toronto, Canada. He is the co-author of La photographie. Histoire, technique, presse, art and Photographies et magazines d'actualite (both with Gaelle Morel), and fomer editor in chief of Etudes photographiques. Gaelle Morel is an art historian and the Exhibitions Curator at the Ryerson Image Centre, Toronto, Canada. She has edited Les Derniers Tableaux. Photojournalisme et art contemporain and co-authored several books with Thierry Gervais. She is a former member of the board of the Societe francaise de photographie, and a member of the editorial committee of the bilingual journal Etudes photographiques.
Introduction The invention of the magazine (1843-1918)From a photographThe
halftone agePress photographersThe role of the art directorReflections of
the warGeneral news magazines: European know-how (1919-1936)Berliner
Illustrirte Zeitung before the warThe postwar German press: a competitive
marketPropagandist visual strategies A style for news magazinesAn
aesthetics of transparencyVU: a photographic workshopNarrating the newsThe
Life model and the standardization of news magazines (1936-1976)From idea
to actuality: the beginnings of LifeDramatizing the newsFrom the
photographic essay to the pictorial essayChallenges to authorityTowards
diversificationConclusion
halftone agePress photographersThe role of the art directorReflections of
the warGeneral news magazines: European know-how (1919-1936)Berliner
Illustrirte Zeitung before the warThe postwar German press: a competitive
marketPropagandist visual strategies A style for news magazinesAn
aesthetics of transparencyVU: a photographic workshopNarrating the newsThe
Life model and the standardization of news magazines (1936-1976)From idea
to actuality: the beginnings of LifeDramatizing the newsFrom the
photographic essay to the pictorial essayChallenges to authorityTowards
diversificationConclusion
Introduction The invention of the magazine (1843-1918)From a photographThe
halftone agePress photographersThe role of the art directorReflections of
the warGeneral news magazines: European know-how (1919-1936)Berliner
Illustrirte Zeitung before the warThe postwar German press: a competitive
marketPropagandist visual strategies A style for news magazinesAn
aesthetics of transparencyVU: a photographic workshopNarrating the newsThe
Life model and the standardization of news magazines (1936-1976)From idea
to actuality: the beginnings of LifeDramatizing the newsFrom the
photographic essay to the pictorial essayChallenges to authorityTowards
diversificationConclusion
halftone agePress photographersThe role of the art directorReflections of
the warGeneral news magazines: European know-how (1919-1936)Berliner
Illustrirte Zeitung before the warThe postwar German press: a competitive
marketPropagandist visual strategies A style for news magazinesAn
aesthetics of transparencyVU: a photographic workshopNarrating the newsThe
Life model and the standardization of news magazines (1936-1976)From idea
to actuality: the beginnings of LifeDramatizing the newsFrom the
photographic essay to the pictorial essayChallenges to authorityTowards
diversificationConclusion