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The Man Upstairs is a collection of short stories, it is a miscellaneous collection, not featuring any of Wodehouse's regular characters; most of the stories concern love and romance. There were three distinct stages in the evolution of Annette Brougham's attitude towards the knocking in the room above. In the beginning it had been merely a vague discomfort. Absorbed in the composition of her waltz, she had heard it almost subconsciously. The second stage set in when it became a physical pain like red-hot pincers wrenching her mind from her music. Finally, with a thrill in indignation, she…mehr

Produktbeschreibung
The Man Upstairs is a collection of short stories, it is a miscellaneous collection, not featuring any of Wodehouse's regular characters; most of the stories concern love and romance. There were three distinct stages in the evolution of Annette Brougham's attitude towards the knocking in the room above. In the beginning it had been merely a vague discomfort. Absorbed in the composition of her waltz, she had heard it almost subconsciously. The second stage set in when it became a physical pain like red-hot pincers wrenching her mind from her music. Finally, with a thrill in indignation, she knew it for what it was -- an insult. The unseen brute disliked her playing, and was intimating his views with a boot-heel. Defiantly, with her foot on the loud pedal, she struck -- almost slapped -- the keys once more. "Bang!" from the room above. "Bang! Bang!" Also includes "Something to Worry About," "Deep Waters," "When Doctors Disagree," "By Advice of Counsel," "Rough-Hew Them How We Will," "The Man Who Disliked Cats," "Ruth in Exile," "Archibald's Benefit," "The Man, the Maid, and the Miasma," "The Good Angel," "Pots o'Money," "Out of School," "Three from Dunsterville," "The Tuppenny Millionaire," "Ahead of Schedule," "Sir Agravaine," "The Goal-Keeper and the Plutocrat," and "In Alcala." Wodehouse worked extensively on his books, sometimes having two or more in preparation simultaneously. He would take up to two years to build a plot and write a scenario of about thirty thousand words. After the scenario was complete he would write the story. Early in his career he would produce a novel in about three months but he slowed in old age to around six months. He used a mixture of Edwardian slang, quotations from and allusions to numerous poets and several literary techniques to produce a prose style that has been compared with comic poetry and musical comedy.
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Autorenporträt
Sir Pelham Grenville Wodehouse (1881 - 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly school stories, but he later switched to comic fiction, creating several regular characters who became familiar to the public over the years. They include the feather-brained Bertie Wooster and his sagacious valet, Jeeves; the immaculate and loquacious Psmith; Lord Emsworth and the Blandings Castle set; the Oldest Member, with stories about golf and Mr Mulliner, with tall tales on subjects ranging from bibulous bishops to megalomaniac movie moguls. Although most of Wodehouse's fiction is set in England, he spent much of his life in the US and used New York and Hollywood as settings for some of his novels and short stories. During and after the First World War, together with Guy Bolton and Jerome Kern, he wrote a series of Broadway musical comedies that were an important part of the development of the American musical. He began the 1930s writing for MGM in Hollywood. In a 1931 interview, his naïve revelations of incompetence and extravagance at Hollywood studios caused a furor. In the same decade, his literary career reached a new peak. In 1934 Wodehouse moved to France for tax reasons; in 1940 he was taken prisoner at Le Touquet by the invading Germans and interned for nearly a year. After his release he made six broadcasts from German radio in Berlin to the US, which had not yet entered the war. The talks were comic and apolitical, but his broadcasting over enemy radio prompted anger and strident controversy in Britain, and a threat of prosecution. Wodehouse never returned to England. From 1947 until his death he lived in the US, taking dual British-American citizenship in 1955.