New essays re-evaluating Weimar cinema from a broadened, up-to-date perspective.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Images and Imaginaries Christian Rogowski Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? Jill Suzanne Smith Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919) Humanity Unleashed: Anti Bolshevism as Popular Culture in Early Weimar Cinema Philipp Stiasny Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's "Oriental" Fantasy Richard W. McCormick Romeo with Sidelocks: Jewish Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films Cynthia Walk "These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hände (1924) Anjeana Hans The Star System in Weimar Cinema Joseph Garncarz Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades Elizabeth Otto The Musical Promise of Abstract Film Joel Westerdale The International Project of National(ist) Film: Franz Osten in India Veronika Fuechtner The Body in Time: Wilhelm Prager's Wege zu Kraft und Schönheit (1925) Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) Christian Rogowski Babel's Business On Ufa's Multiple Language Film Versions, 1929 1933 Chris Wahl "A New Era of Peace and Understanding":The Integration of Sound Film into German Popular Cinema, 1929 1932 Ofer Ashkenazi Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930) Jaimey Fisher Undermining Babel: Victor Trivas's Niemandsland (1931) Nancy P. Nenno Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930 33) Filmography Notes on the Contributors Index
Introduction: Images and Imaginaries Christian Rogowski Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? Jill Suzanne Smith Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919) Humanity Unleashed: Anti Bolshevism as Popular Culture in Early Weimar Cinema Philipp Stiasny Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's "Oriental" Fantasy Richard W. McCormick Romeo with Sidelocks: Jewish Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films Cynthia Walk "These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hände (1924) Anjeana Hans The Star System in Weimar Cinema Joseph Garncarz Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades Elizabeth Otto The Musical Promise of Abstract Film Joel Westerdale The International Project of National(ist) Film: Franz Osten in India Veronika Fuechtner The Body in Time: Wilhelm Prager's Wege zu Kraft und Schönheit (1925) Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) Christian Rogowski Babel's Business On Ufa's Multiple Language Film Versions, 1929 1933 Chris Wahl "A New Era of Peace and Understanding":The Integration of Sound Film into German Popular Cinema, 1929 1932 Ofer Ashkenazi Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930) Jaimey Fisher Undermining Babel: Victor Trivas's Niemandsland (1931) Nancy P. Nenno Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930 33) Filmography Notes on the Contributors Index
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