On the surface, his move to the isolated village on the coast makes perfect sense. But the experience is an increasingly unsettling one for Timothy Bucchanan. A dead man no one will discuss. Wasted fish hauled from a contaminated sea. The dream of faceless men. Questions that lead to further questions. What truth are the villagers withholding?
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The Many unfolds like an unsettling dream, shifting illogically, asking the reader to accept leaps from reality to what seems like it may be fantasy (or may be a matter of perception). But it's not just a strange fable, there is humanity in it too: Ethan's palpable grief for Perran; the locals' struggle to adapt to a world in which their former livelihoods have become obsolete; the touches of tenderness in Timothy and Lauren's scenes together. Its portrayal of a community left behind by technology and bureaucracy, suspicious of the threat represented by 'outsiders', is recognisable and timely - perhaps even more so now than the author may have intended.
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