The Marion Milner Tradition
Lines of Development: Evolution of Theory and Practice over the Decades
Herausgeber: Boyle Spelman, Margaret; Raphael-Leff, Joan
The Marion Milner Tradition
Lines of Development: Evolution of Theory and Practice over the Decades
Herausgeber: Boyle Spelman, Margaret; Raphael-Leff, Joan
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The Marion Milner Tradition provides a comprehensive overview of Milnerâ s eight-volume oeuvre for the first time, and celebrates her pioneering achievements both in psychoanalytic world, and in creative and scientific disciplines such as clinical and organisational psychology, philosophy, mindfulness and spirituality.
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The Marion Milner Tradition provides a comprehensive overview of Milnerâ s eight-volume oeuvre for the first time, and celebrates her pioneering achievements both in psychoanalytic world, and in creative and scientific disciplines such as clinical and organisational psychology, philosophy, mindfulness and spirituality.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- The Lines of Development
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 316
- Erscheinungstermin: 30. November 2022
- Englisch
- Abmessung: 246mm x 174mm x 17mm
- Gewicht: 556g
- ISBN-13: 9781138359758
- ISBN-10: 1138359750
- Artikelnr.: 60014719
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- The Lines of Development
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 316
- Erscheinungstermin: 30. November 2022
- Englisch
- Abmessung: 246mm x 174mm x 17mm
- Gewicht: 556g
- ISBN-13: 9781138359758
- ISBN-10: 1138359750
- Artikelnr.: 60014719
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Margaret Boyle Spelman, PhD, is a chartered clinical and counselling psychologist, psychoanalytic psychotherapist, and organisational psychologist who has been working for more than four decades with the Irish Health Service Executive and in private practice. She is (ex officio) member of The Psychological Society of Ireland, The Irish Council of Psychotherapy, and member of the European Association for Psychotherapy. Margaret has two monographs on the subject of DW Winnicott and co-edited the Winnicott volume in this series. Joan Raphael-Leff, PhD, is a psychoanalyst (Fellow, British Psychoanalytical Society and longstanding Member of the Group of Independent Psychoanalysts). Previously, she was Professor of Psychoanalysis at UCL and the University of Essex. In 1998, she founded and served as the first International Chair of COWAP, IPA's Committee on Women and Psychoanalysis. She is the author and editor of fourteen books and 150 single author publications. Now, in her retirement, she heads the UCL/Anna Freud Centre Academic Faculty for Psychoanalytic Research.
Section I: Marion Blackett Milner life and legacy INTRODUCTION TO SECTION
I: 1. 'Joy to be hidden': thoughts from a biographer 2. Some essential
concepts of Marion Blackett Milner: Framing, Concentration,
Absentmindedness, Rêverie 3. 'The Pliable Medium' 4. Winnicott and Milner -
recognising the legacy of collegial love 5. The Use Creativity Can Make of
Pain 6. Talking with Marion Milner about Donald W. Winnicott and about
herself (1981) 7. 'What a lovely woman: my youthful encounters with Marion
Milner (1985-1998) 8. Interview with Marion Milner (1990) 9. 'Tea' with
Marion Milner (1996) 10. My friend, Marion Milner Section II: Clinical
applications: Milner in the psychoanalytic consulting room INTRODUCTION TO
SECTION II 11. 'Access to darkly hidden powers'-the context to Marion
Milner's psychoanalytic training and clinical work 12. 'My Analyst Marion
Milner' Preface to Chapters 13 and 14: Marion Milner behind the couch 13.
'I was her last Training Case' - analysis with Marion Milner and
supervision with Winnicott 14. 'Marion was uniquely placed to
understand'... (analyses with Marion Milner and with Donald Winnicott) 15.
Marion Milner: thinking together... (on her supervision with Milner
1977-1978) 16. 'A meaningful encounter' - my supervision with Marion Milner
(1990-1993) 17. 'Holding and Visceral Attention': bodily concentration of
an analyst under COVID-19 lockdown Section III: Milner: art and creativity
INTRODUCTION TO SECTION III 18. 'Milner and the origins of creativity':
from symbolism to symbol formation and illusion 19. 'The Chosen Medium':
Milner's art 20. Introduction to Marion Milner's work on creativity and art
21. Remembering Marion Milner (from 1981 to 1998) 22. 'Jugs, Mugs, and
Goblets': Comments on Marion Milner's artistic insights 23. 'Scrappy
observations' 24. 'A Deeper-rooted Kind of Knowing' 25. 'What sort of Mrs
Milner is she?' Thinking the experience mostly in words 26. 'A Womb of
One's Own': holding hands, mutual muddlement, and the so-slow finding of
feet in Marion Milner's creative clinical cradling of 'Susan' Section IV:
Milner's books and other endeavours INTRODUCTION TO SECTION IV 27. The
Human Problem in Schools: A refined application of psychological ideals 28.
Marion Milner: a many-branched psychologist at work: (The human problem in
schools) 29. 'Diaries over a lifetime': the diary-work of Marion Milner: A
Life of One's Own; Experiment in Leisure; Eternity's Sunrise; Bothered by
Alligators 30. 'What Sort of Therapist Are You?' Reflections on The
Suppressed Madness of Sane Men 31. 'Letting oneself be breathed'-On Not
Being Able to Paint 32. 'The insides of solid things' - On Not Being Able
to Paint 33. Q&A with Marion Milner on The Hands of the Living God 34. 'The
Play of Opposites' - Milner's last book: Bothered by Alligators Section V:
About Marion: Recollections and reflections INTRODUCTION TO SECTION V 35.
'Granny Plasticine' - my grandmother Marion Blackett Milner 36. 'Words made
flesh...' On editing Marion Milner 37. 'The Visitation' 38. 'Marion on the
Swing' 39. 'Marion on the Drums' 40. 'Marion Milner, Shakespeare and
fashion' 41. 'Getting to know Marion Milner': An unexpected gift from the
late Andreas Giannakoulas 42. 'It Thought Me' - on interviewing Marion
Milner Epilogue: Marion Milner: 'A mind becoming more aware of itself'
I: 1. 'Joy to be hidden': thoughts from a biographer 2. Some essential
concepts of Marion Blackett Milner: Framing, Concentration,
Absentmindedness, Rêverie 3. 'The Pliable Medium' 4. Winnicott and Milner -
recognising the legacy of collegial love 5. The Use Creativity Can Make of
Pain 6. Talking with Marion Milner about Donald W. Winnicott and about
herself (1981) 7. 'What a lovely woman: my youthful encounters with Marion
Milner (1985-1998) 8. Interview with Marion Milner (1990) 9. 'Tea' with
Marion Milner (1996) 10. My friend, Marion Milner Section II: Clinical
applications: Milner in the psychoanalytic consulting room INTRODUCTION TO
SECTION II 11. 'Access to darkly hidden powers'-the context to Marion
Milner's psychoanalytic training and clinical work 12. 'My Analyst Marion
Milner' Preface to Chapters 13 and 14: Marion Milner behind the couch 13.
'I was her last Training Case' - analysis with Marion Milner and
supervision with Winnicott 14. 'Marion was uniquely placed to
understand'... (analyses with Marion Milner and with Donald Winnicott) 15.
Marion Milner: thinking together... (on her supervision with Milner
1977-1978) 16. 'A meaningful encounter' - my supervision with Marion Milner
(1990-1993) 17. 'Holding and Visceral Attention': bodily concentration of
an analyst under COVID-19 lockdown Section III: Milner: art and creativity
INTRODUCTION TO SECTION III 18. 'Milner and the origins of creativity':
from symbolism to symbol formation and illusion 19. 'The Chosen Medium':
Milner's art 20. Introduction to Marion Milner's work on creativity and art
21. Remembering Marion Milner (from 1981 to 1998) 22. 'Jugs, Mugs, and
Goblets': Comments on Marion Milner's artistic insights 23. 'Scrappy
observations' 24. 'A Deeper-rooted Kind of Knowing' 25. 'What sort of Mrs
Milner is she?' Thinking the experience mostly in words 26. 'A Womb of
One's Own': holding hands, mutual muddlement, and the so-slow finding of
feet in Marion Milner's creative clinical cradling of 'Susan' Section IV:
Milner's books and other endeavours INTRODUCTION TO SECTION IV 27. The
Human Problem in Schools: A refined application of psychological ideals 28.
Marion Milner: a many-branched psychologist at work: (The human problem in
schools) 29. 'Diaries over a lifetime': the diary-work of Marion Milner: A
Life of One's Own; Experiment in Leisure; Eternity's Sunrise; Bothered by
Alligators 30. 'What Sort of Therapist Are You?' Reflections on The
Suppressed Madness of Sane Men 31. 'Letting oneself be breathed'-On Not
Being Able to Paint 32. 'The insides of solid things' - On Not Being Able
to Paint 33. Q&A with Marion Milner on The Hands of the Living God 34. 'The
Play of Opposites' - Milner's last book: Bothered by Alligators Section V:
About Marion: Recollections and reflections INTRODUCTION TO SECTION V 35.
'Granny Plasticine' - my grandmother Marion Blackett Milner 36. 'Words made
flesh...' On editing Marion Milner 37. 'The Visitation' 38. 'Marion on the
Swing' 39. 'Marion on the Drums' 40. 'Marion Milner, Shakespeare and
fashion' 41. 'Getting to know Marion Milner': An unexpected gift from the
late Andreas Giannakoulas 42. 'It Thought Me' - on interviewing Marion
Milner Epilogue: Marion Milner: 'A mind becoming more aware of itself'
Section I: Marion Blackett Milner life and legacy INTRODUCTION TO SECTION
I: 1. 'Joy to be hidden': thoughts from a biographer 2. Some essential
concepts of Marion Blackett Milner: Framing, Concentration,
Absentmindedness, Rêverie 3. 'The Pliable Medium' 4. Winnicott and Milner -
recognising the legacy of collegial love 5. The Use Creativity Can Make of
Pain 6. Talking with Marion Milner about Donald W. Winnicott and about
herself (1981) 7. 'What a lovely woman: my youthful encounters with Marion
Milner (1985-1998) 8. Interview with Marion Milner (1990) 9. 'Tea' with
Marion Milner (1996) 10. My friend, Marion Milner Section II: Clinical
applications: Milner in the psychoanalytic consulting room INTRODUCTION TO
SECTION II 11. 'Access to darkly hidden powers'-the context to Marion
Milner's psychoanalytic training and clinical work 12. 'My Analyst Marion
Milner' Preface to Chapters 13 and 14: Marion Milner behind the couch 13.
'I was her last Training Case' - analysis with Marion Milner and
supervision with Winnicott 14. 'Marion was uniquely placed to
understand'... (analyses with Marion Milner and with Donald Winnicott) 15.
Marion Milner: thinking together... (on her supervision with Milner
1977-1978) 16. 'A meaningful encounter' - my supervision with Marion Milner
(1990-1993) 17. 'Holding and Visceral Attention': bodily concentration of
an analyst under COVID-19 lockdown Section III: Milner: art and creativity
INTRODUCTION TO SECTION III 18. 'Milner and the origins of creativity':
from symbolism to symbol formation and illusion 19. 'The Chosen Medium':
Milner's art 20. Introduction to Marion Milner's work on creativity and art
21. Remembering Marion Milner (from 1981 to 1998) 22. 'Jugs, Mugs, and
Goblets': Comments on Marion Milner's artistic insights 23. 'Scrappy
observations' 24. 'A Deeper-rooted Kind of Knowing' 25. 'What sort of Mrs
Milner is she?' Thinking the experience mostly in words 26. 'A Womb of
One's Own': holding hands, mutual muddlement, and the so-slow finding of
feet in Marion Milner's creative clinical cradling of 'Susan' Section IV:
Milner's books and other endeavours INTRODUCTION TO SECTION IV 27. The
Human Problem in Schools: A refined application of psychological ideals 28.
Marion Milner: a many-branched psychologist at work: (The human problem in
schools) 29. 'Diaries over a lifetime': the diary-work of Marion Milner: A
Life of One's Own; Experiment in Leisure; Eternity's Sunrise; Bothered by
Alligators 30. 'What Sort of Therapist Are You?' Reflections on The
Suppressed Madness of Sane Men 31. 'Letting oneself be breathed'-On Not
Being Able to Paint 32. 'The insides of solid things' - On Not Being Able
to Paint 33. Q&A with Marion Milner on The Hands of the Living God 34. 'The
Play of Opposites' - Milner's last book: Bothered by Alligators Section V:
About Marion: Recollections and reflections INTRODUCTION TO SECTION V 35.
'Granny Plasticine' - my grandmother Marion Blackett Milner 36. 'Words made
flesh...' On editing Marion Milner 37. 'The Visitation' 38. 'Marion on the
Swing' 39. 'Marion on the Drums' 40. 'Marion Milner, Shakespeare and
fashion' 41. 'Getting to know Marion Milner': An unexpected gift from the
late Andreas Giannakoulas 42. 'It Thought Me' - on interviewing Marion
Milner Epilogue: Marion Milner: 'A mind becoming more aware of itself'
I: 1. 'Joy to be hidden': thoughts from a biographer 2. Some essential
concepts of Marion Blackett Milner: Framing, Concentration,
Absentmindedness, Rêverie 3. 'The Pliable Medium' 4. Winnicott and Milner -
recognising the legacy of collegial love 5. The Use Creativity Can Make of
Pain 6. Talking with Marion Milner about Donald W. Winnicott and about
herself (1981) 7. 'What a lovely woman: my youthful encounters with Marion
Milner (1985-1998) 8. Interview with Marion Milner (1990) 9. 'Tea' with
Marion Milner (1996) 10. My friend, Marion Milner Section II: Clinical
applications: Milner in the psychoanalytic consulting room INTRODUCTION TO
SECTION II 11. 'Access to darkly hidden powers'-the context to Marion
Milner's psychoanalytic training and clinical work 12. 'My Analyst Marion
Milner' Preface to Chapters 13 and 14: Marion Milner behind the couch 13.
'I was her last Training Case' - analysis with Marion Milner and
supervision with Winnicott 14. 'Marion was uniquely placed to
understand'... (analyses with Marion Milner and with Donald Winnicott) 15.
Marion Milner: thinking together... (on her supervision with Milner
1977-1978) 16. 'A meaningful encounter' - my supervision with Marion Milner
(1990-1993) 17. 'Holding and Visceral Attention': bodily concentration of
an analyst under COVID-19 lockdown Section III: Milner: art and creativity
INTRODUCTION TO SECTION III 18. 'Milner and the origins of creativity':
from symbolism to symbol formation and illusion 19. 'The Chosen Medium':
Milner's art 20. Introduction to Marion Milner's work on creativity and art
21. Remembering Marion Milner (from 1981 to 1998) 22. 'Jugs, Mugs, and
Goblets': Comments on Marion Milner's artistic insights 23. 'Scrappy
observations' 24. 'A Deeper-rooted Kind of Knowing' 25. 'What sort of Mrs
Milner is she?' Thinking the experience mostly in words 26. 'A Womb of
One's Own': holding hands, mutual muddlement, and the so-slow finding of
feet in Marion Milner's creative clinical cradling of 'Susan' Section IV:
Milner's books and other endeavours INTRODUCTION TO SECTION IV 27. The
Human Problem in Schools: A refined application of psychological ideals 28.
Marion Milner: a many-branched psychologist at work: (The human problem in
schools) 29. 'Diaries over a lifetime': the diary-work of Marion Milner: A
Life of One's Own; Experiment in Leisure; Eternity's Sunrise; Bothered by
Alligators 30. 'What Sort of Therapist Are You?' Reflections on The
Suppressed Madness of Sane Men 31. 'Letting oneself be breathed'-On Not
Being Able to Paint 32. 'The insides of solid things' - On Not Being Able
to Paint 33. Q&A with Marion Milner on The Hands of the Living God 34. 'The
Play of Opposites' - Milner's last book: Bothered by Alligators Section V:
About Marion: Recollections and reflections INTRODUCTION TO SECTION V 35.
'Granny Plasticine' - my grandmother Marion Blackett Milner 36. 'Words made
flesh...' On editing Marion Milner 37. 'The Visitation' 38. 'Marion on the
Swing' 39. 'Marion on the Drums' 40. 'Marion Milner, Shakespeare and
fashion' 41. 'Getting to know Marion Milner': An unexpected gift from the
late Andreas Giannakoulas 42. 'It Thought Me' - on interviewing Marion
Milner Epilogue: Marion Milner: 'A mind becoming more aware of itself'