A big, clever, vividly wrought work of conspiracy fiction, filled with impeccable but lightly worn research. Elizabethan England, in all its stifling atmosphere of repression - writers were regularly being imprisoned and having their hands cut off - is brought to life by Barber's faultless poet's ear...[she]cannily uses the poetry to do just what any prose narrative aspires to: it's sharp, concise, stunningly visual. Robert Collins Sunday Times