The Marrow Of Tradition - Chesnutt, Charles W.
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
Charles Waddell Chesnutt (June 20, 1858 November 15, 1932) was an American novelist, essayist, political activist, and lawyer notable for his novels and short stories that explored complicated questions of race and cultural identity in the post-Civil War Southern. Oscar Micheaux, an African-American the filmmaker and producer, changed two of his works into silent movies in 1926 and 1927. Following the Civil Rights Movement of the twentieth century, interest in Chesnutt's works was reignited. Several of his writings were reprinted, and he got formal acknowledgment. In 2008, a commemorative stamp was issued. Chesnutt created a highly successful court reporting firm in Cleveland in the early twentieth century, which supplied his primary source of income. He became involved in the National Association for the Advancement of Colored People, where he wrote articles in support of education and legal challenges to discriminatory laws. Andrew Chesnutt and Ann Maria (n e Sampson) Chesnutt, both "free persons of color" from Fayetteville, North Carolina, gave birth to Chesnutt in Cleveland, Ohio. His paternal grandpa had been identified as a white slaveholder. He identified as African American but stated that he was 7/8 white. Chesnutt might "pass" as a white man because of his majority-European background, but he never did.