The Mask of the Prophet - Martin, Andrew
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Such novels as Twenty Thousand Leagues Under the Sea and Around the World in Eighty Days have made Jules Verne the most widely translated of all French authors. But he has typically been categorized as the father of science fiction or a writer of harmless fantasies for children. Now, in this brilliantly original new book, Andrew Martin relocates Verne squarely at the centre of the literary map. Dr Martin shows that a recurrent narrative (exemplified in short stories by Napoleon Bonaparte and Jorge Luis Borges), relating the strange destiny of a masked prophet who revolts against an empire,…mehr

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Such novels as Twenty Thousand Leagues Under the Sea and Around the World in Eighty Days have made Jules Verne the most widely translated of all French authors. But he has typically been categorized as the father of science fiction or a writer of harmless fantasies for children. Now, in this brilliantly original new book, Andrew Martin relocates Verne squarely at the centre of the literary map. Dr Martin shows that a recurrent narrative (exemplified in short stories by Napoleon Bonaparte and Jorge Luis Borges), relating the strange destiny of a masked prophet who revolts against an empire, runs through Verne's Voyages Extraordinaires. This approach illuminates the paradoxical coalition in Verne of realism and invention, repression and transgression, imperialism and anarchy. In this book Verne emerges not just as a key to the political and literary imagination of the nineteenth and twentieth centuries but as a model for reading fiction in general.
This provocative new study contends that Jules Verne was indeed more than just a writer of science fiction or harmless fantasies for children. Placing him squarely within the center of a strong literary tradition, Martin convincingly shows that a recurrent narrative, describing the strange destiny of a masked prophet who revolts against an empire, runs throughout Verne's Voyages extraordinaires. This theme, Martin argues, illuminates the paradoxes of realism and invention, repression and transgression, and imperialism and anarchy. Verne emerges not only as a key to the political and literary imagination of the nineteenth and twentieth centuries, but as a model for fiction in general.