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This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. The chapters offer innovative insights into historical relationship between music and its presentation in a wide variety of media.

Produktbeschreibung
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. The chapters offer innovative insights into historical relationship between music and its presentation in a wide variety of media.
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Autorenporträt
Vincenzo Borghetti is Associate Professor of Music History at the University of Verona, Italy. His research interests include Renaissance polyphony and opera. His essays and articles have appeared in Early Music History, Acta musicologica, Journal of the Alamire Foundation, and Imago Musicae, among other journals, and in several edited collections. He is the co-editor with Tim Shephard of The Museum of Renaissance Music: A History in 100 Exhibits (2023). Alexandros Maria Hatzikiriakos is Research Fellow at the University of St Andrews, UK. His research focuses on auditory history and cultural history of music in the medieval and early modern Mediterranean. His publications include essays on sound and music in early modern Crete, medieval vernacular song, and the monograph Musiche da una corte effimera: Lo Chansonnier du Roi (Paris, BnF, fr. 844) e la Napoli dei primi angioini (2020).