Joel Deshaye is an academic projects manager at McGill University.
Inhaltsangabe
Introduction 1. The Metaphor of Celebrity 2. The Era of Celebrity in Canadian Poetry 3. Becoming “Too Public” in the Poetry of Irving Layton 4. Fighting Words: Layton on Radio and Television 5. Recognition, Anonymity, and Leonard Cohen’s Stranger Music 6. “I like that line because it’s got my name in it”: Masochistic Stardom in Cohen’s Poetry 7. Celebrity, Sexuality, and the Uncanny in Michael Ondaatje’s The Collected Works of Billy the Kid 8. “A Razor in the Body”: Ondaatje’s Rat Jelly and Secular Love 9. The Magician and His Public in the Poetry of Gwendolyn MacEwen 10. Passing and Celebrity in MacEwen’s The T.E. Lawrence Poems Conclusion: Public, Nation, Now Acknowledgments Appendix: Four Tables (fig. 1-4) Works Cited Notes
Introduction 1. The Metaphor of Celebrity 2. The Era of Celebrity in Canadian Poetry 3. Becoming “Too Public” in the Poetry of Irving Layton 4. Fighting Words: Layton on Radio and Television 5. Recognition, Anonymity, and Leonard Cohen’s Stranger Music 6. “I like that line because it’s got my name in it”: Masochistic Stardom in Cohen’s Poetry 7. Celebrity, Sexuality, and the Uncanny in Michael Ondaatje’s The Collected Works of Billy the Kid 8. “A Razor in the Body”: Ondaatje’s Rat Jelly and Secular Love 9. The Magician and His Public in the Poetry of Gwendolyn MacEwen 10. Passing and Celebrity in MacEwen’s The T.E. Lawrence Poems Conclusion: Public, Nation, Now Acknowledgments Appendix: Four Tables (fig. 1-4) Works Cited Notes
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