Literature, film, and television have become obsessed with the intersection of survival and choice. Jane Elliott analyzes this new and distinctive aesthetic phenomenon, which she calls the microeconomic mode, through close readings that show how an aesthetics of choice has reshaped contemporary understanding of what it means to be human.
Literature, film, and television have become obsessed with the intersection of survival and choice. Jane Elliott analyzes this new and distinctive aesthetic phenomenon, which she calls the microeconomic mode, through close readings that show how an aesthetics of choice has reshaped contemporary understanding of what it means to be human.
Acknowledgments Introduction Part I. Political Subjectivity 1. Live Models 2. Life-Interest Part II. Sovereignty 3. Survival Games 4. Sovereign Capture Part III. Thriving 5. Partial Fictions 6. Binary Life Notes Bibliography Index
Acknowledgments Introduction Part I. Political Subjectivity 1. Live Models 2. Life-Interest Part II. Sovereignty 3. Survival Games 4. Sovereign Capture Part III. Thriving 5. Partial Fictions 6. Binary Life Notes Bibliography Index
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