The Mill on the Floss - Eliot, George
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The Mill on the Floss, a novel by George Eliot, was published in three sections in 1860. It thoughtfully portrays the vain attempts of Maggie Tulliver to adapt to her small-town world. The disaster of her situation is highlighted by her brother Tom's actions, who forbids her from communicating with the one friend who values her knowledge and imagination. While she is trapped in a compromising situation, Tom denies her altogether, but the siblings are accommodated in the end as they were trying in vain to survive the climactic flood. This novel is considered one of George Eliot's best…mehr

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Produktbeschreibung
The Mill on the Floss, a novel by George Eliot, was published in three sections in 1860. It thoughtfully portrays the vain attempts of Maggie Tulliver to adapt to her small-town world. The disaster of her situation is highlighted by her brother Tom's actions, who forbids her from communicating with the one friend who values her knowledge and imagination. While she is trapped in a compromising situation, Tom denies her altogether, but the siblings are accommodated in the end as they were trying in vain to survive the climactic flood. This novel is considered one of George Eliot's best achievements. The Mill on the Floss is famous for its accurate, expressive portrayal of English rural life and its significantly persuasive analysis of a woman's psychology.
Autorenporträt
Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.