Genevieve Warwick brings a dual focus between art-making and art-viewing through an exploration of the early modern elision of the picture plane with the mirror-image. She considers the specular configuration of Renaissance painting from various thematic points of view and offers a fully interdisciplinary analysis of the mirror analogy.
Genevieve Warwick brings a dual focus between art-making and art-viewing through an exploration of the early modern elision of the picture plane with the mirror-image. She considers the specular configuration of Renaissance painting from various thematic points of view and offers a fully interdisciplinary analysis of the mirror analogy.
Acknowledgements List of illustrations Introduction: the mirror of narcissus 1. Halls of mirrors 2. Armorial mirrors 3. The artist's mirror 4. Specular sciences 5. The mirrors of venus Conclusion Notes Bibliography Index.
Acknowledgements List of illustrations Introduction: the mirror of narcissus 1. Halls of mirrors 2. Armorial mirrors 3. The artist's mirror 4. Specular sciences 5. The mirrors of venus Conclusion Notes Bibliography Index.
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