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Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture.

Produktbeschreibung
Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture.
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Autorenporträt
David Pullins is Jayne Wrightsman Curator at the Metropolitan Museum of Art, where he is responsible for seventeenth-and eighteenth-century French, Italian, and Spanish painting.