Andere Kunden interessierten sich auch für
![As modalidades da nova estética do teatro negro africano]( "As modalidades da nova estética do teatro negro africano")
As modalidades da nova estética do teatro negro africano67,99 €![Die Modalitäten der neuen Ästhetik des negri-afrikanischen Theaters]( "Die Modalitäten der neuen Ästhetik des negri-afrikanischen Theaters")
Die Modalitäten der neuen Ästhetik des negri-afrikanischen Theaters103,90 €![Le modalità della nuova estetica del teatro nero africano]( "Le modalità della nuova estetica del teatro nero africano")
Le modalità della nuova estetica del teatro nero africano67,99 €![Les modalités de la nouvelle esthétique du théâtre négro-africain]( "Les modalités de la nouvelle esthétique du théâtre négro-africain")
Les modalités de la nouvelle esthétique du théâtre négro-africain67,99 €![Modal'nosti nowoj ästetiki chernoafrikanskogo teatra]( "Modal'nosti nowoj ästetiki chernoafrikanskogo teatra")
Modal'nosti nowoj ästetiki chernoafrikanskogo teatra32,99 €![From the tip of your fingers to the tip of your tongue A study of mobile applications]( "From the tip of your fingers to the tip of your tongue A study of mobile applications")
From the tip of your fingers to the tip of your tongue A study of mobile applications46,99 €![The Oxford Handbook of Modality and Mood]( "The Oxford Handbook of Modality and Mood")
The Oxford Handbook of Modality and Mood61,99 €
Black African theater has undergone a diachronic evolution from an artistic point of view. Starting from an art of oral expression recounting the social, cultural, economic and political life of traditional Africa, this dramaturgy is, today, in search of a more universal field of action. From now on, the identity of the characters is neither racial nor fixed. The status of these is reconstituted by the reader in the course of the microstructures. In the subversive aesthetics or the rupture of Koffi Kwahulé, each word emits a sound similar to the sounds of different instruments of Jazz. This linguistic practice is a modality that allows him to create jazz theater. In addition, the dramaturgy of multicolored aesthetics, like the zebra, succeeds in the challenge of subversion by discoloring the clues that constitute its framework. It deconstructs, at the same time, the theatrical structure, the character, the space, the time and the frame. The theatrical art of Koffi Kwahulé demonstrates that African playwrights today are in search of a new aesthetic, a universal art that takes up the cause of every human being.