The first study of the performance practice, repertoire and context of the modern 'brass ensemble' in the musical world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JOHN MILLER has played the trumpet professionally for five decades, including memberships of the Philip Jones Brass Ensemble, the Philharmonia Orchestra and the Wallace Collection brass ensemble. In addition, he is a teacher and lecturer at the Royal Northern College of Music, Manchester.
Inhaltsangabe
Introduction 1. Nineteenth-century brass music: the beginnings 2. Brass music-making in the early twentieth century 3. European brass music after World War II: the establishment of the brass quintet in Britain 4. The stimuli of the modern brass ensemble: the record industry, contemporary music, international activity, the player-arranger 5. Howarth's Pictures at an Exhibition, and the new reach of British brass playing 6. Continuity and change: the succession of British brass ensembles after the Philip Jones Brass Ensemble 7. Aspects of historical brass: uncovering phenomena of the past 8. Envoi Appendix 1. Selective List of Published Music Appendix 2. Selective Discography Appendix 3. London Brass: major commissions 1986-2001 Bibliography Index
Introduction 1. Nineteenth-century brass music: the beginnings 2. Brass music-making in the early twentieth century 3. European brass music after World War II: the establishment of the brass quintet in Britain 4. The stimuli of the modern brass ensemble: the record industry, contemporary music, international activity, the player-arranger 5. Howarth's Pictures at an Exhibition, and the new reach of British brass playing 6. Continuity and change: the succession of British brass ensembles after the Philip Jones Brass Ensemble 7. Aspects of historical brass: uncovering phenomena of the past 8. Envoi Appendix 1. Selective List of Published Music Appendix 2. Selective Discography Appendix 3. London Brass: major commissions 1986-2001 Bibliography Index
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