Medieval music has become hugely popular but it is largely a modern construct. The story of the reinvention of medieval music is told here - a story of individuals, the societies in which they worked, their tastes and beliefs, all interacting to remake a lost musical world.
Medieval music has become hugely popular but it is largely a modern construct. The story of the reinvention of medieval music is told here - a story of individuals, the societies in which they worked, their tastes and beliefs, all interacting to remake a lost musical world.
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.
Inhaltsangabe
Acknowledgements Introduction 1. The invention of the voices-and-instruments hypothesis 2. The re-invention of the a cappella hypothesis 3. Hearing medieval harmonies 4. Evidence, interpretation, power and persuasion Conclusion Notes Bibliography Index.
Acknowledgements Introduction 1. The invention of the voices-and-instruments hypothesis 2. The re-invention of the a cappella hypothesis 3. Hearing medieval harmonies 4. Evidence, interpretation, power and persuasion Conclusion Notes Bibliography Index.
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