A collection of essays that offers a historical reappraisal of what musical modernism was. It assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism.
A collection of essays that offers a historical reappraisal of what musical modernism was. It assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Björn Heile is Lecturer in Music and Head of Department at the University of Sussex, UK. He is the author of The Music of Mauricio Kagel as well as numerous other publications, mostly on new music and experimental music theatre.
Inhaltsangabe
Contents: Introduction: new music and the modernist legacy Björn Heile; Part I New Music Social Debates and the Aesthetics of Critical Modernism: Modernism's moment of plenitude Andrew Timms; Fields of rubble: on the poetics of music after the post modern John Croft; Spectralism politics and the post-industrial imagination Eric Drott; The scream in avant-garde music: the new left and the rediscovery of the body Beate Kutschke; Verbal discourse as aesthetic arbitrator in contemporary music Ian Pace; Weltmusik and the globalization of new music Björn Heile. Part II Aspects of Compositional Poetics: Temps perdu: Aldo Clementi and the eclipse of music as praxis David Osmond-Smith; Feldman - Beckett - Johns: patterning memory and subjectivity Catherine Laws; Brian Fernyhough 'postmodern modernist' Lois Fitch; The electroacoustic music of Henri Pousseur and the 'open' form John Dack; Self-portrait with Boulez and Machaut (and Ligeti is there as well): Harrison Birtwistles's Hoquetus Petrus Mark Delaere; Local polymetric structures in Elliott Carters 90+ for Piano (1994) ÿve Poudrier; Select bibliography; Index.
Contents: Introduction: new music and the modernist legacy Björn Heile; Part I New Music Social Debates and the Aesthetics of Critical Modernism: Modernism's moment of plenitude Andrew Timms; Fields of rubble: on the poetics of music after the post modern John Croft; Spectralism politics and the post-industrial imagination Eric Drott; The scream in avant-garde music: the new left and the rediscovery of the body Beate Kutschke; Verbal discourse as aesthetic arbitrator in contemporary music Ian Pace; Weltmusik and the globalization of new music Björn Heile. Part II Aspects of Compositional Poetics: Temps perdu: Aldo Clementi and the eclipse of music as praxis David Osmond-Smith; Feldman - Beckett - Johns: patterning memory and subjectivity Catherine Laws; Brian Fernyhough 'postmodern modernist' Lois Fitch; The electroacoustic music of Henri Pousseur and the 'open' form John Dack; Self-portrait with Boulez and Machaut (and Ligeti is there as well): Harrison Birtwistles's Hoquetus Petrus Mark Delaere; Local polymetric structures in Elliott Carters 90+ for Piano (1994) ÿve Poudrier; Select bibliography; Index.
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