The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers reconsiders what monsters in performance might mean to those who witness them.
The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers reconsiders what monsters in performance might mean to those who witness them.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael Chemers is an Associate Professor of Theater Arts at the University of California Santa Cruz, USA.
Inhaltsangabe
Foreword by Mike Carey Introduction: The Dramaturgy of Empathy Why Study Monsters? The Act of Fear The Monster as Surrogate Chapter One: Caliban's Legacy How to Hunt Monsters: The Seven Theses for the Stage Chapter Two: Prometheus the Thief Monstrous Transgressions Regarding Parenting The Modern Prometheus Chapter Three: Presumption "-----" The Prerogative of God Chapter Four: The Vampire Trap Back from the Dead The Rise of Ruthven Angels of Hell Wicked Souls, Wise Purposes The Love that is Death The Haemosexual Agenda Chapter Four: Toys Are Us The Uncanny The Jew's Monster Golem on the Pulpit An Angel Come Too Late The Technolegacy of the Golem Chapter Six: Boo Phantom History Who's There? The Spectre of War Aristotle, Revenant The Romantic Geist Chapter Seven: Hairey Betwixt The Werewolf Problem Horrifying Transformations Lupus Est Homo Conclusion Defense Against the Dark Art
Foreword by Mike Carey
Introduction: The Dramaturgy of Empathy
Why Study Monsters?
The Act of Fear
The Monster as Surrogate
Chapter One: Caliban's Legacy
How to Hunt Monsters: The Seven Theses for the Stage
Foreword by Mike Carey Introduction: The Dramaturgy of Empathy Why Study Monsters? The Act of Fear The Monster as Surrogate Chapter One: Caliban's Legacy How to Hunt Monsters: The Seven Theses for the Stage Chapter Two: Prometheus the Thief Monstrous Transgressions Regarding Parenting The Modern Prometheus Chapter Three: Presumption "-----" The Prerogative of God Chapter Four: The Vampire Trap Back from the Dead The Rise of Ruthven Angels of Hell Wicked Souls, Wise Purposes The Love that is Death The Haemosexual Agenda Chapter Four: Toys Are Us The Uncanny The Jew's Monster Golem on the Pulpit An Angel Come Too Late The Technolegacy of the Golem Chapter Six: Boo Phantom History Who's There? The Spectre of War Aristotle, Revenant The Romantic Geist Chapter Seven: Hairey Betwixt The Werewolf Problem Horrifying Transformations Lupus Est Homo Conclusion Defense Against the Dark Art
Foreword by Mike Carey
Introduction: The Dramaturgy of Empathy
Why Study Monsters?
The Act of Fear
The Monster as Surrogate
Chapter One: Caliban's Legacy
How to Hunt Monsters: The Seven Theses for the Stage
Chapter Two: Prometheus the Thief
Monstrous Transgressions
Regarding Parenting
The Modern Prometheus
Chapter Three: Presumption
"-----"
The Prerogative of God
Chapter Four: The Vampire Trap
Back from the Dead
The Rise of Ruthven
Angels of Hell
Wicked Souls, Wise Purposes
The Love that is Death
The Haemosexual Agenda
Chapter Four: Toys Are Us
The Uncanny
The Jew's Monster
Golem on the Pulpit
An Angel Come Too Late
The Technolegacy of the Golem
Chapter Six: Boo
Phantom History
Who's There?
The Spectre of War
Aristotle, Revenant
The Romantic Geist
Chapter Seven: Hairey Betwixt
The Werewolf Problem
Horrifying Transformations
Lupus Est Homo
Conclusion
Defense Against the Dark Art
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