The Moral Imagination of the Mahabharata - Govind, Nikhil
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The Mahabharata, one of the most popular epics, has had a remarkable impact on literary and cultural thought in India through the centuries. It is also of immense religious and philosophical importance and is considered itihasa, literally 'that which happened', or sacred history. Though the setting of the Mahabharata is distant in time, something of its indefatigable, insistent formulation of the pivotal dilemmas of our shared human moral imagination remains insistent and inextinguishable even today. The Moral Imagination of the Mahabharata closely reads the conceptual and narrative…mehr

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Produktbeschreibung
The Mahabharata, one of the most popular epics, has had a remarkable impact on literary and cultural thought in India through the centuries. It is also of immense religious and philosophical importance and is considered itihasa, literally 'that which happened', or sacred history. Though the setting of the Mahabharata is distant in time, something of its indefatigable, insistent formulation of the pivotal dilemmas of our shared human moral imagination remains insistent and inextinguishable even today. The Moral Imagination of the Mahabharata closely reads the conceptual and narrative intricacies of the epic through the four foundational terms of d harma (law), artha (worldliness), kama (desire) and moksha (freedom), offering riveting insights on the moral psychology of Indic civilization. Drawing from scholarly forays in philology, history, religious studies and pre-modern Asian traditions, this critical attention by a literary scholar to the Mahabharata's narrative impulses and the internal vigour of select episodes brings to fore the gripping dilemmas that animate the epic. The book travels through an atmospheric and exuberant pre-modern milieu to provoke prescient metaphysical and ethical questions that are only accumulating in relevance in the contemporary world.
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Autorenporträt
Nikhil Govind is the Head of the Manipal Centre for Humanities, Manipal Academy of Higher Education (MAHE), Karnataka, India. He has published in the areas of Indian aesthetic and political modernism and is on the editorial board of the Indian Journal of Medical Ethics. He is the author of Inlays of Subjectivity: Affect and Action in Modern Indian Literature (2019) and Between Love and Freedom: The Revolutionary in the Hindi Novel (2014). He has co-authored Shadow Craft: Visual Aesthetics of Black and White Hindi Cinema (2021) along with Gayathri Prabhu.