The book critically examines the making of German-Jewish musical heritage and its location and dubious non-location within the German cultural sector and larger Jewish community in Germany. It further theorizes on the intersection of Jewish heritage and cultural sustainability by employing thoughts and ideas of critical heritage studies.
The book critically examines the making of German-Jewish musical heritage and its location and dubious non-location within the German cultural sector and larger Jewish community in Germany. It further theorizes on the intersection of Jewish heritage and cultural sustainability by employing thoughts and ideas of critical heritage studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah M. Ross is professor of Jewish music studies and director of the European Center for Jewish Music at Hanover University of Music, Drama, and Media, Germany.
Inhaltsangabe
Introduction Jewish Heritage as Moral Experience in the German Public Chapter 1 Being and Feeling Jewish: Doing Jewish Heritage in Twenty-First Century Germany Chapter 2 The Moral Obligation to Preserve: The Making of Synagogue Music as Kulturerbe in Germany Chapter 3 Jewish Cantors as "Safeguarders" of German-Jewish Musical Heritage Chapter 4 Formulating a Theory for Jewish Heritage and Sustainability Epilogue Jewish Heritage as Moral Experience?
Introduction Jewish Heritage as Moral Experience in the German Public Chapter 1 Being and Feeling Jewish: Doing Jewish Heritage in Twenty-First Century Germany Chapter 2 The Moral Obligation to Preserve: The Making of Synagogue Music as Kulturerbe in Germany Chapter 3 Jewish Cantors as "Safeguarders" of German-Jewish Musical Heritage Chapter 4 Formulating a Theory for Jewish Heritage and Sustainability Epilogue Jewish Heritage as Moral Experience?
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