This book argues that the voice is a crucial link between bodies, thought, and mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in Greek poetry and philosophy and then shows how Aeschylus' tragedies gain meaning from the rubric and performance of voice.
This book argues that the voice is a crucial link between bodies, thought, and mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in Greek poetry and philosophy and then shows how Aeschylus' tragedies gain meaning from the rubric and performance of voice.
Sarah Nooter is Associate Professor in Classics and Theater and Performance Studies at the University of Chicago. She is the author of When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy (Cambridge, 2012) and co-editor of Sound and the Ancient Senses (forthcoming).
Inhaltsangabe
Introduction 1. Voice, body, stage 2. Voice in early Aeschylean drama and Aristophanic parody 3. Voice and ventriloquism in Agamemnon 4. Voice and the mother in Choephori 5. Voice and the monstrous in Eumenides.
Introduction 1. Voice, body, stage 2. Voice in early Aeschylean drama and Aristophanic parody 3. Voice and ventriloquism in Agamemnon 4. Voice and the mother in Choephori 5. Voice and the monstrous in Eumenides.
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