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A breath of Bombay hope, in the first glimpse of the sea, on Marine Drive, filled my heart, if not my head. I turned away from the red shadow. I stopped thinking of that pyramid of killers, and Sanjay's recklessness. I stopped thinking about my own part in the madness. And I rode, with my friends, into the end of everything.' The end of the eighties was the beginning of everything. The Berlin wall fell on a ruined empire, and the Taliban took Afghanistan. Lin, on the run after escaping from prison in Australia, working as a passport forger for a Bombay mafia gang, finds himself standing on a…mehr

Produktbeschreibung
A breath of Bombay hope, in the first glimpse of the sea, on Marine Drive, filled my heart, if not my head. I turned away from the red shadow. I stopped thinking of that pyramid of killers, and Sanjay's recklessness. I stopped thinking about my own part in the madness. And I rode, with my friends, into the end of everything.' The end of the eighties was the beginning of everything. The Berlin wall fell on a ruined empire, and the Taliban took Afghanistan. Lin, on the run after escaping from prison in Australia, working as a passport forger for a Bombay mafia gang, finds himself standing on a tattered corner of a bloody carpet that would soon cover most of the world. But he can't leave the Island City: not without Karla. Two years after the events in Shantaram, Bombay is a different world, playing by different rules. Lin's search for love and faith leads him through secret and violent intrigues to the dangerous truth.
Autorenporträt
Gregory David Roberts escaped from a maximum-security facility and spent ten years on the run, and ten years in prison. After the publication of his first novel, the bestselling Shantaram, he spent ten years working as an ambassador for charitable and social justice organisations, and as a philosophical consultant to leaders and philanthropic foundations. He retired from public life in 2014 to devote his time to family and new writing projects.
Rezensionen
A kind of gangster's Shakespeare New York Times