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Rituals mark significant moments in our lives--perhaps none more significant than moments of lightheartedness, joy, and play. The rituals that bond humanity create our most transcendent experiences and meaningful memories. Rituals of play are among the most sacred of any of the rites in which humanity may engage. Although we may fail to recognize rituals of play, they are always present in culture, providing a kind of psychological release for their participants, child and adult alike. Ritual is central to storytelling. Story and practice are symbiotic. Their relationship reflects the vitality…mehr

Produktbeschreibung
Rituals mark significant moments in our lives--perhaps none more significant than moments of lightheartedness, joy, and play. The rituals that bond humanity create our most transcendent experiences and meaningful memories. Rituals of play are among the most sacred of any of the rites in which humanity may engage. Although we may fail to recognize rituals of play, they are always present in culture, providing a kind of psychological release for their participants, child and adult alike. Ritual is central to storytelling. Story and practice are symbiotic. Their relationship reflects the vitality of the soul. Disneyland is an example of the kind of container necessary for the construction of rituals of play. This work explores the original Disney theme park in Anaheim as a temple cult. It challenges the disciplines of mythological studies, religious studies, film studies, and depth psychology to broaden traditional definitions of the kind of cultural apparatus that constitute temple culture and ritual. It does so by suggesting that Hollywood's entertainment industry has developed a platform for mythic ritual. After setting the ritualized "stage," this book turns to the practices in Disneyland proper, analyzing the patron's traditions within the framework of the park and beyond. It explores Disneyland's spectacles, through selected shows and parades, and concludes with an exploration of the park's participation in ritual renewal.
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Autorenporträt
Dori Koehler, PhD holds degrees in Mythological Studies with emphasis in Depth Psychology from Pacifica Graduate Institute. Her main area of research is American popular culture, particularly Disney studies. She presents periodically at the Popular Culture Association's National Conference and the Film and History conference through the University of Wisconsin at Osh Kosh. She also presented at the first Discussing Disney conference held in 2014 through the University of Hull. Her most recent article on Walt Disney as a manifestation of the trickster archetype grew out of that presentation and will be published in a forthcoming collection of essays. Dr. Koehler writes a blog fusing popular culture with archetypal theory at www.mythicbliss.wordpress.com