The Movie Business Book

Herausgeber: Squire, Jason E

• Gebundenes Buch

Produktbeschreibung

Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace.

Produktdetails

• Verlag: Jenny Stanford Publishing
• 4th edition
• Seitenzahl: 628
• Erscheinungstermin: 25. Juli 2016
• Englisch
• Abmessung: 216mm x 140mm x 35mm
• Gewicht: 898g
• ISBN-13: 9781138656277
• ISBN-10: 1138656275
• Artikelnr.: 44559286

Autorenporträt

Jason E. Squire is Professor of Practice at the USC School of Cinematic Arts. His longstanding research helped establish "movie business" as a distinct area of academic study. Global honors include Visiting Professor, Beijing Film Academy and Master of Entertainment Studies, DeTao Masters Academy, Shanghai. After an executive career of work with United Artists, 20th Century-Fox, and with producer Alberto Grimaldi (Gangs of New York; Fellini Satyricon; The Good, The Bad and The Ugly), Squire joined the USC faculty. He has lectured in China, Japan and the United Kingdom. Media appearances include CCTV-6; China Daily; CNN Money; La Opinion; Le Monde; Los Angeles Times; Marketplace; NHK Japan; Reuters; The New York Times; Variety; Wall Street Journal.

Inhaltsangabe

Introduction - By Jason E. Squire I. THE CREATORS The Entrepreneurial Producer - By Michael London (Producer
West Los Angeles
CA) The Director - By Doug Liman (Director
Producer
New York
NY) A Filmmaker's Journey - By Jay Duplass (Co-Writer
Co-Director
Actor
Los Angeles
CA) II. THE PROPERTY The Screenwriter - By David S. Goyer (Screenwriter
Director
Producer
Los Angeles
CA) Representing the Screenwriter - By Jewerl Ross (Owner
Silent R Mangement
Los Angeles
CA) The Story Editor - By Romy Dworman (Senior Vice President
Story Department
Universal Pictures
Universal City
CA) Exploiting Intellectual Property Rights - By Joel Gotler (CEO
Intellectual Property Group
Los Angeles
CA) III. THE MONEY Movies
Money and Madness - By Peter J. Dekom (Entertainment Lawyer
Los Angeles
CA) Getting Paid! - By Rob Aft (President
Compliance Consulting
Los Angeles
CA) Analyzing Movie Companies - By Harold L. Vogel (Financial Analyst
Vogel Capital Management
New York
NY) IV. THE MANAGEMENT A Chairman's Perspective - By Alan Horn (Chairman
The Walt Disney Studios
Burbank
CA) Marvel Studios - By Kevin Feige (President
Marvel Studios
Burbank
CA) The Movie Company as Financier-Distributor - By David V. Picker (Former President
Columbia Pictures
Paramount Pictures
United Artists
New York
NY) The Independent Spirit - By Barbara Boyle (Professor and Associate Dean
Entrepreneurship
UCLA School of Theater
Film and Television
West Los Angeles
CA) V. THE DEAL The Entertainment Lawyer - By Linda Lichter (Partner
Lichter
Grossman
Nichols
Adler & Feldman
Inc.
West Hollywood
CA) Business Affairs - By Stephen M. Kravit (Executive Vice President
Business Affairs
The Gersh Agency
Beverly Hills
CA) The Completion Guarantee - By Steve Mangel (President
UniFi Completion Guarantors
Los Angeles
CA) The Talent Agent - By Jessica Tuchinsky (Producer
Former Talent Agent
Creative Artists Agency
Beverly Hills CA) VI. PRODUCTION Production Management - By Micahel Grillo (Executive Producer
Los Angeles
CA) The Social Network: Production Workflow - By Allen Kupetsky (Second Assistant Director
Los Angeles
CA) VII. MARKETING Motion Picture Marketing - By Blair Rich (Executive Vice President
Warner Bros. Pictures Worldwide Marketing
Burbank
CA) Market Research - By Kevin Goetz (Founder and CEO
Screen Engine/ASI
Los Angeles
CA) Film Festivals and Markets - By Steve Montal (Film Festival Consultant
Los Angeles
CA) VIII. REVENUE STREAMS Release Windows and Revenue Streams - By Linda Benjamin (Former Executive Vice President
Business and Legal Affairs
Relativity Media
Beverly Hills
CA) Studio Accounting - By Ilan Haimoff (Partner
Green Hasson Janks Accountants
Leader
Contract Compliance and Forensics Department
Los Angeles CA) IX. THEATRICAL DISTRIBUTION Studio Distribution - By Daniel R. Fellman (President
Warner Bros. Pictures Domestic Distribution
Burbank
CA) Independent Distribution - By Tom Quinn (Former Co-President
RADiUS
The Weinstein Company
New York
NY) X. THEATRICAL EXHIBITION The Exhibition Business - By Shari E. Redstone (President
National Amusements
Norwood
MA) The Independent Exhibitor - By Robert Laemmle and Greg Laemmle (Laemmle Fine Arts Theatres
Los Angeles
CA) XI. HOME ENTERTAINMENT AND SELF-DISTRIBUTION Home Entertainment - By Ronald J. Sanders (President
Warner Bros. Worldwide Home Entertainment Distribution
Burbank
CA) Online Self-Distribution - By Jamie Wilkinson (Co-Founder and CEO
VHX Corporation
Brooklyn
NY) XII. THE DIY MODEL DIY: An Introduction - By Jason E. Squire (USC School of Cinematic Arts
Los Angeles
CA) Producing in the DIY Model - By Eric B. Fleischman (Producer
Los Angeles
CA) XIII. CONSUMER PRODUCTS Consumer Products - By Al Ovadia (President
Al Ovadia & Associates; Former Executive Vice President
Sony Pictures Consumer Products
Los Angeles
CA) XIV. INTERNATIONAL Global Markets - By Rob Aft (President
Compliance Consulting
Los Angeles
CA) An Overview of the Chinese Film Industry - By Shaoyi Sun (Professor of Film and Media Studies
Shanghai Theatre Academy
Shanghai
China) XV. THE FUTURE Entertainment Technologies: Past
Present and Future - By Dan Ochiva (Founder and President
NYC Production and Post News
New York
NY)