Putting Asian and European musicals into conversation with Hollywood classics like Singin’ in the Rain and La La Land, this study demonstrates the flexibility and durability of the genre. It explores how the movie musical mediates between nostalgia and technical innovation, while foregrounding the experiences of women, immigrants and people of color.
Putting Asian and European musicals into conversation with Hollywood classics like Singin’ in the Rain and La La Land, this study demonstrates the flexibility and durability of the genre. It explores how the movie musical mediates between nostalgia and technical innovation, while foregrounding the experiences of women, immigrants and people of color.
DESIRÉE J. GARCIA is an associate professor in the Latin American, Latino, and Caribbean Studies Program and an affiliate in the Film and Media Studies Department at Dartmouth College. Her many publications include the book The Migration of Musical Film: From Ethnic Margins to American Mainstream (Rutgers University Press). She also starred in La La Land director Damien Chazelle's first musical, Guy and Madeline on a Park Bench .
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Contents
INTRODUCTION 1. THE MUSICAL AS ARCHIVE 2. THE MUSICAL AS SOCIETY 3. THE MUSICAL AS MEDIATION ACKNOWLDEGEMENTS