Scholar Anne Friedberg compellingly theorized vision in motion. The Moving Eye: Film, Television, Architecture, and the Modern gathers together essays by renowned thinkers in media studies, art history, and architecture to consider the implications of her work for understanding film and video, new media, visual art, architecture, and urbanism.
Scholar Anne Friedberg compellingly theorized vision in motion. The Moving Eye: Film, Television, Architecture, and the Modern gathers together essays by renowned thinkers in media studies, art history, and architecture to consider the implications of her work for understanding film and video, new media, visual art, architecture, and urbanism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edward Dimendberg is Professor of Humanities and European Languages at the University of California, Irvine. He is the principal of Dimendberg Consulting LLC.
Inhaltsangabe
* Introduction: Edward Dimendberg * Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning * Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger * Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters * Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler * Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen * Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin * Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens ( * Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana Bruno * Chapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch * Bibliography of Writings by Anne Friedberg * Contributor Biographies * Index
* Introduction: Edward Dimendberg * Chapter 1. Moving Through Friedberg's Properly Adjusted Virtual Window: Tom Gunning * Chapter 2. Psychoanalysis Discovers Film Theory: Anne Friedberg and Close Up: Christa Blümlinger * Chapter 3. Nicholas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine: Patricia Pisters * Chapter 4. The Eisenstein Effect: Architecture and Narrative Montage in Eisenstein and Le Corbusier: Anthony Vidler * Chapter 5. Max Ophuls and Instant Messaging: Reframing Cinema and Publicness: Miriam Hansen * Chapter 6. The Open Box: Umberto Eco, Achille Castiglioni and the Architecture of Television: Sylvia Lavin * Chapter 7. Windows on a Broken World: Gordon Matta-Clark's photographs of public housing in New York: Gwendolyn Owens ( * Chapter 8. Sites of Screening: Cinema, Museum, and the Art of Projection: Giuliana Bruno * Chapter 9. Humans becoming Animals: On Sensorimotor Affection: Gertrud Koch * Bibliography of Writings by Anne Friedberg * Contributor Biographies * Index
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