The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history.
The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lúcia Nagib is Professor of Film at the University of Reading. Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University
Inhaltsangabe
* Table of Contents * List of Illustrations * Contributors * Acknowledgements * Introduction - Stefan Solomon and Lúcia Nagib * Part I - Methodologies * 1. Hegel, Cinema and the Other Arts * Alain Badiou * 2. One-Dimensional Man? A Reply to Alain Badiou * James Hellings * 3. Hybrid Variations on an Intermedial Theme * Robert Stam * 4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark * Mark Player * Part II - Technologies and Environments * 5. Intermediality and the Carousel Slide Projector * Julian Ross * 6. Up the Junction, Intermediality and Social Change * Sarah Street * 7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema * Ismail Xavier * 8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca * 9. Elemental Intermedia * Stefan Solomon * Part III - National and Regional Phenomena * 10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil * Luciana Corrêa de Araújo * 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí * Albert Elduque * 12. Impurity and Identification: Historicising Chinese Cinema through the Opera * Cecília Mello * 13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 * Lúcia Nagib * Part IV - Intermedial Artists * 14. Stephen Dwoskin, an Intermedial Artist * Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue * 15. Intermedial Voices: Intersections in feminist sound and moving image * Claire M. Holdsworth * 16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son * Jonathan Bignell * 17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy * Fátima Chinita * Index
* Table of Contents * List of Illustrations * Contributors * Acknowledgements * Introduction - Stefan Solomon and Lúcia Nagib * Part I - Methodologies * 1. Hegel, Cinema and the Other Arts * Alain Badiou * 2. One-Dimensional Man? A Reply to Alain Badiou * James Hellings * 3. Hybrid Variations on an Intermedial Theme * Robert Stam * 4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark * Mark Player * Part II - Technologies and Environments * 5. Intermediality and the Carousel Slide Projector * Julian Ross * 6. Up the Junction, Intermediality and Social Change * Sarah Street * 7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema * Ismail Xavier * 8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca * 9. Elemental Intermedia * Stefan Solomon * Part III - National and Regional Phenomena * 10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil * Luciana Corrêa de Araújo * 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí * Albert Elduque * 12. Impurity and Identification: Historicising Chinese Cinema through the Opera * Cecília Mello * 13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 * Lúcia Nagib * Part IV - Intermedial Artists * 14. Stephen Dwoskin, an Intermedial Artist * Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue * 15. Intermedial Voices: Intersections in feminist sound and moving image * Claire M. Holdsworth * 16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son * Jonathan Bignell * 17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy * Fátima Chinita * Index
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