The essays in this volume, spanning more than forty, address the dynamics of Stravinskyâ s music from a variety of analytical, critical, and aesthetic angles. Works such as The Rite of Spring (1913), Les Noces (1917â 23), the Symphony of Psalms (1930), and the Symphony in Three Movements (1945) are discussed in detail.
The essays in this volume, spanning more than forty, address the dynamics of Stravinskyâ s music from a variety of analytical, critical, and aesthetic angles. Works such as The Rite of Spring (1913), Les Noces (1917â 23), the Symphony of Psalms (1930), and the Symphony in Three Movements (1945) are discussed in detail.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pieter C. van den Toorn is professor of music emeritus at the University of California, Santa Barbara. Born in Montclair, New Jersey, in1938, he attended Amherst College and Harvard University before studying for several years with Nadia Boulanger in Paris, France. Subsequently, in 1986, he recieved his phD in music from University of California, at Berkeley. His books include The music of Igor Stravinsky (1983), Stravisnky and "The Rite of Spring" (1987), Music, Politics, and the Academy (1995), Stravinsky and the Russian Period (2012), with John McGinness, and Simply Stravinsky (2020). Stravisnsky and "The Rite of Spting" won the ASCAP Foundation Deems Taylor Award and the outstanding of the Society for Music Theory.
Inhaltsangabe
1. Some Characteristics of Stravinsky's Diatonic Music 2. Taruskin's Angle 3. Stravinsky Re-barred 4. What's in a Motive? 5. Neoclassism and Its Definitions 6. Will Stravinsky Survive Postmodernism? 7. Stravinsky Les Noces (Svadebka) and the Prohibition against Expressive Timing 8. The Sounds of Stravinsky 9. Stravinsky Adorno and the Art of Displacement 10. The Rite of Spring Briefly Revisited: Thoughts on Stravinsky's Stratifications the Psychology of Meter and African Polyrhythm 11. Individual and 'Class Generality': Reflections on the Post-War Years of Babbitt Schoenberg and Stravinsky
1. Some Characteristics of Stravinsky's Diatonic Music 2. Taruskin's Angle 3. Stravinsky Re-barred 4. What's in a Motive? 5. Neoclassism and Its Definitions 6. Will Stravinsky Survive Postmodernism? 7. Stravinsky Les Noces (Svadebka) and the Prohibition against Expressive Timing 8. The Sounds of Stravinsky 9. Stravinsky Adorno and the Art of Displacement 10. The Rite of Spring Briefly Revisited: Thoughts on Stravinsky's Stratifications the Psychology of Meter and African Polyrhythm 11. Individual and 'Class Generality': Reflections on the Post-War Years of Babbitt Schoenberg and Stravinsky
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