The Music Trade in Georgian England
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Recent research has enabled aspects of the workings of the music trade in Georgian England to be reconstructed. Examined here are the activities of the music seller Longman & Broderip, and the firm's two successors, together with those of their rival, John Bland. A review of the development of musical copyright in this period is included, together with an investigation into the efforts of Charles 3rd Earl Stanhope to transform the ways in which music was printed and recorded, and Georg Jacob Vollweiler's endeavours to introduce music lithography into England.

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Produktbeschreibung
Recent research has enabled aspects of the workings of the music trade in Georgian England to be reconstructed. Examined here are the activities of the music seller Longman & Broderip, and the firm's two successors, together with those of their rival, John Bland. A review of the development of musical copyright in this period is included, together with an investigation into the efforts of Charles 3rd Earl Stanhope to transform the ways in which music was printed and recorded, and Georg Jacob Vollweiler's endeavours to introduce music lithography into England.
Autorenporträt
Michael Kassler is an Australian musicologist. His works include Samuel Wesley (1766-1837): A Source Book (written with Philip Olleson), Charles Edward Horn's Memoirs of his Father and Himself, Music Entries at Stationers' Hall, 1710-1818, The English Bach Awakening: Knowledge of J. S. Bach and his Music in England 1750-1830, and A. F. C. Kollmann's Quarterly Musical Register (1812): An Annotated Edition with an Introduction to his Life and Works, all published by Ashgate. Yu Lee An is Librarian in Scholarly Information, University of Technology, Sydney. Her recent Ph.D. dissertation was on Music Publishing in London from 1780 to 1837 as reflected in Music Publishers' Catalogues of Music for Sale. Jenny Nex is Curator of Musical Instruments, Royal College of Music. She has published widely on musical instrument makers in Georgian England based upon archival research of their activities. David Rowland is Professor of Music and Dean of Arts at the Open University and Director of Music at Christ's College, Cambridge. His books include A History of Pianoforte Pedalling, The Cambridge Companion to the Piano, Early Keyboard Instruments: A Practical Guide and The Correspondence of Muzio Clementi. John Small is a private researcher based in Sydney. He has worked for the National Library of Australia and as an information technology manager for the Australian Broadcasting Authority.