The musical human: without a doubt, this vision of the human species as naturally musical has become the most enduring legacy John Blacking bequeathed to ethnomusicology. The contributions in this volume have been written by people who worked closely with or have been inspired by John Blacking. Each essay draws upon distinct aspects of Blacking's writings but complements them with quite different sets of sources. This volume provides fresh assessments of Blacking's work, taking up his challenge to push the boundaries of ethnomusicology into new territories.
The musical human: without a doubt, this vision of the human species as naturally musical has become the most enduring legacy John Blacking bequeathed to ethnomusicology. The contributions in this volume have been written by people who worked closely with or have been inspired by John Blacking. Each essay draws upon distinct aspects of Blacking's writings but complements them with quite different sets of sources. This volume provides fresh assessments of Blacking's work, taking up his challenge to push the boundaries of ethnomusicology into new territories.
Suzel Ana Reily is Reader at the School of Anthropological Studies, Queen's University Belfast, UK.
Inhaltsangabe
Contents: John Blacking in the 21st century: an introduction, Suzel Ana Reily Memories of fieldwork: understanding 'humanly organized sound' through the Venda, Keith Howard Tracks of the mouse: tonal reinterpretation in Venda guitar songs, Jaco Kruger Black background: life history and migrant women's music in South Africa, Deborah James Musicality in early childhood: a case from Japan, Fumiko Fujita John Blacking and the 'human/musical instrument interface': two plucked lutes from Afghanistan, John Baily Experiencing the ballet body: pleasure, pain, power, Helena Wulff Creating a musical space for experiencing the other-self within, Rebecca Sager Bach in a Venda mirror: John Blacking and historical musicology, Britta Sweers Bibliography Index.
Contents: John Blacking in the 21st century: an introduction, Suzel Ana Reily Memories of fieldwork: understanding 'humanly organized sound' through the Venda, Keith Howard Tracks of the mouse: tonal reinterpretation in Venda guitar songs, Jaco Kruger Black background: life history and migrant women's music in South Africa, Deborah James Musicality in early childhood: a case from Japan, Fumiko Fujita John Blacking and the 'human/musical instrument interface': two plucked lutes from Afghanistan, John Baily Experiencing the ballet body: pleasure, pain, power, Helena Wulff Creating a musical space for experiencing the other-self within, Rebecca Sager Bach in a Venda mirror: John Blacking and historical musicology, Britta Sweers Bibliography Index.
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