In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic distain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil - both human and cosmic.
In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic distain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil - both human and cosmic.
Cynthia Freeland is professor of philosophy at the University of Houston. She is author of But Is It Art?, co-editor of Philosophy and Film, and editor of Feminist Interpretations of Aristotle
Inhaltsangabe
Preface and Acknowledgments Introduction Mad Scientists and Monstrous Mothers Dr. Frankenstein's Progeny Women and Bugs Monstrous Flesh From Vampires to Slashers Seductive Vampires The Slasher's Blood Lust Feminist Slashers? Sublime Spectacles of Disaster Uncanny Horror Graphic Horror EPILOGUE: The Appeal of Horror Filmography
Preface and Acknowledgments Introduction Mad Scientists and Monstrous Mothers Dr. Frankenstein's Progeny Women and Bugs Monstrous Flesh From Vampires to Slashers Seductive Vampires The Slasher's Blood Lust Feminist Slashers? Sublime Spectacles of Disaster Uncanny Horror Graphic Horror EPILOGUE: The Appeal of Horror Filmography
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