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THE NAPOLEON OF NOTTING HILL IS A NOVEL WRITTEN BY G. K. CHESTERTON IN 1904, SET IN A NEARLY UNCHANGED LONDON IN 1984.ALTHOUGH THE NOVEL IS SET IN THE FUTURE, IT IS, IN EFFECT, SET IN AN ALTERNATIVE REALITY OF CHESTERTON'S OWN PERIOD, WITH NO ADVANCES IN TECHNOLOGY OR CHANGES IN THE CLASS SYSTEM OR ATTITUDES. IT POSTULATES AN IMPERSONAL GOVERNMENT, NOT DESCRIBED IN ANY DETAIL, BUT APPARENTLY CONTENT TO OPERATE THROUGH A FIGUREHEAD KING, RANDOMLY CHOSEN. About the AuthorGilbert Keith Chesterton (29 May 1874 - 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian,…mehr

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THE NAPOLEON OF NOTTING HILL IS A NOVEL WRITTEN BY G. K. CHESTERTON IN 1904, SET IN A NEARLY UNCHANGED LONDON IN 1984.ALTHOUGH THE NOVEL IS SET IN THE FUTURE, IT IS, IN EFFECT, SET IN AN ALTERNATIVE REALITY OF CHESTERTON'S OWN PERIOD, WITH NO ADVANCES IN TECHNOLOGY OR CHANGES IN THE CLASS SYSTEM OR ATTITUDES. IT POSTULATES AN IMPERSONAL GOVERNMENT, NOT DESCRIBED IN ANY DETAIL, BUT APPARENTLY CONTENT TO OPERATE THROUGH A FIGUREHEAD KING, RANDOMLY CHOSEN. About the AuthorGilbert Keith Chesterton (29 May 1874 - 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist.
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Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.