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Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale? Drawing on post-War American art, film, television, and fiction, Potolsky argues that the aesthetic of the sublime provides a window into the nature of modern intelligence.

Produktbeschreibung
Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale? Drawing on post-War American art, film, television, and fiction, Potolsky argues that the aesthetic of the sublime provides a window into the nature of modern intelligence.
Autorenporträt
Matthew Potolsky is Professor of English at the University of Utah.