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Traces the Nazarene "art of the concept" from its Romantic inception to its academic transformation in the 1830s. Arguing that the Nazarenes, despite their revivalist agenda, were a quintessentially modern movement, the book provides a revisionist understanding of modernity in nineteenth-century art.

Produktbeschreibung
Traces the Nazarene "art of the concept" from its Romantic inception to its academic transformation in the 1830s. Arguing that the Nazarenes, despite their revivalist agenda, were a quintessentially modern movement, the book provides a revisionist understanding of modernity in nineteenth-century art.
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Autorenporträt
Cordula Grewe is Associate Professor of Art History at Indiana University Bloomington.