This collection examines the history of the Canzona Napoletana and its emergence as a leading genre of popular music in the early nineteenth century. Featuring original research by leading scholars in the fields of ethnomusicology, historical musicology, and theater, this is the first collection of essays in the English language to address the topic.
This collection examines the history of the Canzona Napoletana and its emergence as a leading genre of popular music in the early nineteenth century. Featuring original research by leading scholars in the fields of ethnomusicology, historical musicology, and theater, this is the first collection of essays in the English language to address the topic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pasquale Scialò teaches at the Conservatory of Salerno and the University of Naples. Francesca Seller is professor of musicology at the Conservatory of Salerno and scholar at the l'Istituto Italiano per gli Studi Filosofici in Naples. Anthony R. DelDonna is associate professor of musicology at Georgetown University.
Inhaltsangabe
List of figures and tables Acknowledgments Introduction Pasquale Scialò, Francesca Seller, and Anthony R. DelDonna 1. Haunts of an armchair traveler: the variegated world of the letters of Guillaume Cottrau Massimo Distilo 2. Origins, authorship, and new hypotheses about the Passatempi musicali Pasquale Scialò 3. The role of Neapolitan song in comedic dramaturgy of the late eighteenth and early nineteenth centuries Paologiovanni Maione 4. After the Golden Age: considerations on the nature of nineteenth-century Neapolitan theater Francesco Cotticelli 5. Guillaume Cottrau, a French-Neapolitan entrepreneur Francesca Seller 6. Musical traditions and matrices in the Passatempi musicali of Guillaume Cottrau Raffaele Di Mauro 7. Musical instruments in the early nineteenth-century Neapolitan salon Francesco Nocerino 8. Considerations on the Neapolitan language today and at the time of the Passatempi musicali by Guillaume Cottreau Giovanni Vitale Bibliography About the contributors
List of figures and tables Acknowledgments Introduction Pasquale Scialò, Francesca Seller, and Anthony R. DelDonna 1. Haunts of an armchair traveler: the variegated world of the letters of Guillaume Cottrau Massimo Distilo 2. Origins, authorship, and new hypotheses about the Passatempi musicali Pasquale Scialò 3. The role of Neapolitan song in comedic dramaturgy of the late eighteenth and early nineteenth centuries Paologiovanni Maione 4. After the Golden Age: considerations on the nature of nineteenth-century Neapolitan theater Francesco Cotticelli 5. Guillaume Cottrau, a French-Neapolitan entrepreneur Francesca Seller 6. Musical traditions and matrices in the Passatempi musicali of Guillaume Cottrau Raffaele Di Mauro 7. Musical instruments in the early nineteenth-century Neapolitan salon Francesco Nocerino 8. Considerations on the Neapolitan language today and at the time of the Passatempi musicali by Guillaume Cottreau Giovanni Vitale Bibliography About the contributors
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