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"In this unapologetic and sharp-witted perspective about the evolving Black experience in Canada and around the world, a rhythmic fusion of spoken word, satire, and soulful dialect emerges steady as a heartbeat through a journey of raw truths and deep-rooted questions. How does a racialized group teach their future generations to unlearn internalized self-hatred? What is the essence of Blackness beyond skin colour? Is it possible to be free living in present-day systemic racism? Designed to ignite necessary conversations, this powerful collection of engaging scenes that range from church to…mehr

Produktbeschreibung
"In this unapologetic and sharp-witted perspective about the evolving Black experience in Canada and around the world, a rhythmic fusion of spoken word, satire, and soulful dialect emerges steady as a heartbeat through a journey of raw truths and deep-rooted questions. How does a racialized group teach their future generations to unlearn internalized self-hatred? What is the essence of Blackness beyond skin colour? Is it possible to be free living in present-day systemic racism? Designed to ignite necessary conversations, this powerful collection of engaging scenes that range from church to Black Twitter to Africville aims to construct an understanding of what it means to be Black." --
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Autorenporträt
Natasha Adiyana Morris is a soft-spoken, dramatic storyteller. Born in Winnipeg and raised in Toronto's West End--in the most encouraging and full'up Jamaican household--being (h)extra is in her blood. Recognized for founding PIECE OF MINE Arts, an initiative that presents works in progress by Black play creators, she owes a great deal to the esteemed tutelage of b current, anitafrika! dub theatre, Obsidian Theatre, and Volcano Theatre. Her debut production The Negroes Are Congregating (PIECE OF MINE Arts, Theatre Passe Muraille) was nominated for a Dora Mavor Moore Award for Outstanding New Play. She is honoured to be a Soulpepper Academy and York University (Sociology B.A.) alumni.