Matthew Wilson Smith is Associate Professor of German Studies and Theater & Performance Studies at Stanford University. He is the author of The Total Work of Art: From Bayreuth to Cyberspace (Routledge, 2007) and the editor of Georg Büchner: The Major Works (Norton, 2011)
Inhaltsangabe
* Introduction * Chapter 1: The Emptying of Gesture: Neurology and the British Romantic Stage * Chapter 2: From Gestures to Nerves: Woyzeck and the Barbel Fish * Chapter 3: The Nervous System: Melodrama, Railway Trauma, and Systemic Risk * Chapter 4: The Inner Drama of the Body: Wagner's Neural Aesthetics * Chapter 5: Theatre's Revenge: Charcot and the Grand Guignol * Chapter 6: The Prison-house of Nerves: Zola and Strindberg * Conclusion
* Introduction * Chapter 1: The Emptying of Gesture: Neurology and the British Romantic Stage * Chapter 2: From Gestures to Nerves: Woyzeck and the Barbel Fish * Chapter 3: The Nervous System: Melodrama, Railway Trauma, and Systemic Risk * Chapter 4: The Inner Drama of the Body: Wagner's Neural Aesthetics * Chapter 5: Theatre's Revenge: Charcot and the Grand Guignol * Chapter 6: The Prison-house of Nerves: Zola and Strindberg * Conclusion
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