The Neuroscience of Bach's Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach's music through the lens of neuroscience, examining neuroscience using Bach's music as a tool. This book synthesizes cognitive neuroscience, music theory, and musicology to provide insights into human cognition and perception. It also explores how a neuroscience perspective can improve listening and performing experiences for Bach's music. Written by a physician-neuroscientist recognized for scholarly articles on Bach's music, this book uses specific…mehr
The Neuroscience of Bach's Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach's music through the lens of neuroscience, examining neuroscience using Bach's music as a tool. This book synthesizes cognitive neuroscience, music theory, and musicology to provide insights into human cognition and perception. It also explores how a neuroscience perspective can improve listening and performing experiences for Bach's music. Written by a physician-neuroscientist recognized for scholarly articles on Bach's music, this book uses specific examples to explore neuroscience across Bach's compositions. The book is structured to discuss the brain's action, perception, and cognition as connected to specific Bach concertos, tones, notes, and performances. Two guest contributors provide insight into exact mathematical, or topologic, and music theoretic aspects of Bach's music with implications for cognitive neuroscience.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eric Altschuler, MD, PhD is Associate Chief and Director of Clinical Research in the Department of Physical Medicine and Rehabilitation at Metropolitan Hospital and Associate Clinical Professor in the Department of Rehabilitation Medicine at New York Medical College. Dr. Altschuler is also an Associate Editor of the American Journal of Physical Medicine and Rehabilitation. Dr. Altschuler is board certified in Physical Medicine and Rehabilitation, Brain Injury Medicine, Neuromuscular Medicine and Electrodiagnostic medicine. In addition to clinical work in general PM&R and electro-diagnostics, Dr. Altschuler is a widely published and recognized expert in clinically applied and basic cognitive neuroscience. Dr. Altschuler was the first to report the use of mirror therapy for hemiparesis following stroke and for a combination amputation/orthopedic injury. Dr. Altschuler was the first to publish the use of animal assisted therapy for post-traumatic stress disorder (PTSD) now in wide use for patients across the world.
Inhaltsangabe
Section 1: Prelude 1. Introduction 2. Background and Overview of Johann Sebastian Bach 3. Basics of the Brain and Perception Section 2: Playing Bach and the Brain - Action 4. Playing Bach's Suites for Solo Cello and Experiencing One's Actions without Perception and Clocking Libet's "Mind Time? 5. Neural Performance, Action Requirements, and Challenges of Playing Bach's Concerto for Two Violins - A Study of Synchronization and Perceptual Experience 6. Adding a Third Violin to Bach's Brandenburg Concerto No. 6 - Challenges in Synchronization and Listener Experience 7. More than Three - Perceptual, Action, and Cognitive Challenges for Performers and Listeners 8. Virtuoso of Bach's Composing and Performance Expectations Section 3: Listening to Bach - Perception of Musical Space and Landscape 9. The Neuroscience of "Affekt? - Music, Emotions, and the Brain's Limbic System 10. "Affekt? Related to Tempos and Effects - Bach's Composition and Emotional Playing 11. The Algebra of Bach's Transcriptions for Various Instruments and Cognitive Effects Section 4: Bach and the Exploration of the Tonal System and Beyond - Cognition 12. Parallel Fifths and the Cognitive-Perceptual System 13. Enharmonic Notes Across Instruments in Bach's Compositions 14. Modal Traces and the Cognitive-Perceptual System 15. Bach's 12-Tone Row, Cognition, and Musical Perception 16. Present and Future Neuroimaging Studies of Bach Section 5: Mathematical Bach 17. Topology in Bach I - The Brain's Analysis of Bach's Match to a "Möbius Strip? Structure 18. Topology in Bach II - The Brain's Ability to Hear Topologic Structures 19. Unbroken and Broken Symmetry in Bach's Compositions 20. The Perceptual Effect of Escher's "Tiling Time? Section 7: Conclusion 21. Bach and the Brain's Action, Perception, and Cognition - Summary and Future Applications and Implications Appendix Using Perceptual and Cognitive Approaches to Finding and Using Bach's Tempos
Section 1: Prelude 1. Introduction 2. Background and Overview of Johann Sebastian Bach 3. Basics of the Brain and Perception Section 2: Playing Bach and the Brain - Action 4. Playing Bach's Suites for Solo Cello and Experiencing One's Actions without Perception and Clocking Libet's "Mind Time? 5. Neural Performance, Action Requirements, and Challenges of Playing Bach's Concerto for Two Violins - A Study of Synchronization and Perceptual Experience 6. Adding a Third Violin to Bach's Brandenburg Concerto No. 6 - Challenges in Synchronization and Listener Experience 7. More than Three - Perceptual, Action, and Cognitive Challenges for Performers and Listeners 8. Virtuoso of Bach's Composing and Performance Expectations Section 3: Listening to Bach - Perception of Musical Space and Landscape 9. The Neuroscience of "Affekt? - Music, Emotions, and the Brain's Limbic System 10. "Affekt? Related to Tempos and Effects - Bach's Composition and Emotional Playing 11. The Algebra of Bach's Transcriptions for Various Instruments and Cognitive Effects Section 4: Bach and the Exploration of the Tonal System and Beyond - Cognition 12. Parallel Fifths and the Cognitive-Perceptual System 13. Enharmonic Notes Across Instruments in Bach's Compositions 14. Modal Traces and the Cognitive-Perceptual System 15. Bach's 12-Tone Row, Cognition, and Musical Perception 16. Present and Future Neuroimaging Studies of Bach Section 5: Mathematical Bach 17. Topology in Bach I - The Brain's Analysis of Bach's Match to a "Möbius Strip? Structure 18. Topology in Bach II - The Brain's Ability to Hear Topologic Structures 19. Unbroken and Broken Symmetry in Bach's Compositions 20. The Perceptual Effect of Escher's "Tiling Time? Section 7: Conclusion 21. Bach and the Brain's Action, Perception, and Cognition - Summary and Future Applications and Implications Appendix Using Perceptual and Cognitive Approaches to Finding and Using Bach's Tempos
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